Vzorci pesmi v prozi v slovenski književnosti

Abstract

V prispevku so obravnavana teoretična, literarnozgodovinska in primerjalna izhodišča žanra pesmi v prozi, ki jo opredeljujemo kot dvojno vrstno figuro glede na njena razmerja do poezije oz. proze. Za njeno konstituiranje kot posebne zvrsti v spremenjenih pogojih novega, modernističnega žanrskega sistema je zlasti pomembna programatična in ustvarjalna praksa francoskih simbolistov, posebno Baudelaira, Mallarméja, Rimbauda, Huysmansa ter nadrealista Maxa Jacoba. Ko gre za vzorce pesmi v prozi v slovenski literaturi, ki jih zasledimo od devetdesetih let 19. stoletja pri Kersniku in A. Funtku, sta opazna dva modela. Prvi, starejši, je utemeljen na anekdotskodeskriptivnem ali narativnem in tudi lirično-izpovednem vzorcu (Pregelj, Jarc, M. Kmet, J. Lovrenčič), drugi pa se uresničuje kot formalno-eksperimentalni tip besedila, ki ima poudarjeno antimimetično naravo (Kosovel, Grum, Podbevšek, Kocbek). Tu lahko govorimo o dezintegraciji konvencij znotraj samega žanra, kar učinkuje z drugačnimi estetskimi sredstvi na bralca in na njegovo recepcijo teksta.

Keywords

slovenska književnost;pesem v prozi;francoska književnost;simbolizem;literarni vplivi;19. st.;20. st.;literarne študije;

Data

Language:	Slovenian
Year of publishing:	2006
Typology:	0 - Not set
Organization:	UL FF - Faculty of Arts
UDC:	821.163.6.09-1:821.163.6-3"1890/1950"
COBISS:	71925602
Views:	119
Downloads:	11
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary abstract:	The author deals with a number of theoretical, historical and comparative issues of the prose poem which can be determined as a dual generic type, as it relates to poetry and narrative prose. For its self-constitution as an autonomous genre in the transformed space of the new, modernist generic system the programmatic and creative practice of French symbolistic authors is of particular importance, especially Baudelaire, Mallarmé, Rimbaud, Hyusmans and the surrealistic poet Max Jacob. In the models of the prose poem in the Slovene literature from the 1890s onwards, in the works by Kersnik and Funtek, there are two main types of the genre. The first, older one, is established through the devices of description and anecdotal narration or the lyrical-confessional pattern (Pregelj, Jarc, Kmet, Lovrenčič). The second employs a formal and experimental type of writing which is marked by its non-mimetical nature (Kosovel, Grum, Podbevšek, Kocbek). Thus it is possible to talk about the disintegration of the conventions within the genre itself, that affects the reader and the reception of the text with a varity of aesthetical resources.
Secondary keywords:	Slovene literature;prose poem;French literature;symbolism;literary influences;19th century;20th century;
Pages:	Str. 311-318
ID:	24291069