Dnevnik in pismo kot modela slovenske kratke proze med vojnama

Lado Kralj (Author)

Abstract

Članek se ukvarja z doslej manj raziskanim pojavom, da so namreč v času med vojnama slovenski avtorji pogosto pisali črtico tako, da so ji dali obliko fiktivnega dnevnika ali fiktivnega pisma (predvsem Slavko Grum, Ludvik Mrzel, France Bevk, Marija Kmetova, Milena Mohorič itd.). Pravi dnevniki, npr. Strindbergov Inferno ali Tolstojev Iz mojega življenja, so bili zelo priljubljeni in bralci so jih razumeli kot način kar najbolj verodostojnega poročanja, kot primer pravega, neponarejenega življenja. Dnevniške in pisemske črtice so na mnogo manjšem formatu, imenovanem 'list iz dnevnika', skušale zajeti prav to atmosfero avtentičnosti in pri tem pripeljale do paradoksa: s posebnimi literarnimi strategijami so se trudile, da bi bile videti kar najmanj literarne in izmišljene, tj. kar najbolj podobne realnemu dokumentu življenja.

Keywords

slovenska književnost;kratka proza;dnevniki;pisma;dokumentarnost;fikcijskost;literarne študije;

Data

Language:	Slovenian
Year of publishing:	2006
Typology:	1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:	UL FF - Faculty of Arts
UDC:	821.163.6.09-94"1918/1941"
COBISS:	33206626
Views:	57
Downloads:	5
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary abstract:	The paper deals with a phenomenon that has been little discussed before: it seems that between the two World Wars the short story was often shaped by certain Slovenian authors (e.g. Slavko Grum, Ludvik Mrzel, France Bevk, Marija Kmetova, Milen Mohorič) like a fictional diary or a fictional letter. Actual diaries, e.g. those by Tolstoy or Strindberg, were very popular at the time and readers understood them as the ultimate mode of authetic reporting, as an example of real life, something not made up. The diary short stories, having a much smaller scale than the diaries proper and therefore sometimes calling themselves 'a leaf from a diary', tried to capture this very atmosphere of authenticity and by so doing they eventually reached a paradox: they employed special and elaborate literary strategies to look as unliterary, as close to a real document of life as possible.
Secondary keywords:	Slovene literature;short prose;diary;letter;
Pages:	Str. 319-337
ID:	24298705