diplomsko delo
Anamarija Zala Hajdin (Author), Darja Pavlič (Mentor), Matevž Kos (Mentor)

Abstract

Diplomsko nalogo začnem s krajšo predstavitvijo izvora in razvoja tradicionalne balade. Ta izvira iz ljudskega pesništva in je na začetku soobstajala s plesom in glasbo. Izvor balade umeščamo v Provanso, od koder se je širila po Evropi, kasneje pa dosegla tudi preostali svet. Zaradi širitve v nove kraje in k novim ljudem je pridobila različne lastnosti. Pri nas jo je v pisani obliki vpeljal in uveljavil France Prešeren. Kot primer tradicionalne balade na Slovenskem navajam Prešernovo Neiztrohnjeno srce in jo tudi interpretiram. Osrednji del diplome posvečam interpretaciji Balade o jajcu Gregorja Strniše, ki je v obdobju modernizma uvedel svojevrstno moderno balado. Balado o jajcu lahko zaradi njenega obsega razumemo kot cikel balad, saj združuje tri balade v eni. Pesnitev zahteva enotno, celovito branje in zavoljo Strniševega bogatega jezika in večplastnosti ponuja obilo različnih interpretacij. Vseskozi je moč zaznati Strniševo relativnostno teorijo, ki makrokozmos razume kot del mikrokozmosa in obratno. Diplomo zaključim s primerjavo Neiztrohnjenega srca in Balade o jajcu, ki največ podobnosti najde v vzdušju in sporočilnosti balad, razlike pa predvsem v obliki in dolžini obeh del.

Keywords

slovenska književnost;slovenska poezija;slovenski pesniki;pesniške oblike;balada;moderna balada;

Data

Language: Slovenian
Year of publishing:
Typology: 2.11 - Undergraduate Thesis
Organization: UL FF - Faculty of Arts
Publisher: [A. Z. Hajdin]
UDC: 821.163.6-1.09Strniša G.
COBISS: 208994819 Link will open in a new window
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Downloads: 16
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Other data

Secondary language: English
Secondary title: An attempt at interpretation of Strniša's modern ballad and comparison with traditional ballad
Secondary abstract: The thesis begins with a brief presentation of the origin and development of the traditional ballad. The ballad originates from folk poetry and was initially intertwined with dance and music. Its origins are traced back to Provence, from where it spread throughout Europe and later reached other parts of the world. As the ballad expanded to new regions and cultures, it acquired more varied characteristics. In Slovenia, it was France Prešeren who introduced and established the written form of the ballad. As an example of a traditional Slovenian ballad, I present and interpret Prešeren's Neiztrohnjeno srce (The Undecayed Heart). The main part of the thesis is then dedicated to the interpretation of Gregor Strniša's Balada o jajcu (The Ballad of the Egg), which represents a unique modern ballad introduced during the modernist period. Due to its scope, Balada o jajcu can be understood as a cycle of ballads, as it combines three such ballads into one. The poem requires a unified, comprehensive reading, and Strniša's rich language and layered meanings offer a wealth of different interpretations. Throughout the poem, Strniša's theory of relativity is evident, perceiving the macrocosm as part of the microcosm and vice versa. The thesis concludes with a comparison between Neiztrohnjeno srce and Balada o jajcu, highlighting their similarities most noticeably in atmosphere and differences primarily in form and length.
Secondary keywords: Slovene literature;Slovene poetry;Slovene poets;poetic forms;ballad;contemporary balad;Strniša;Gregor;1930-1987;Prešeren;France;1800-1849;
Type (COBISS): Bachelor thesis/paper
Study programme: 1011025
Thesis comment: Univ. v Ljubljani, Filozofska fak., Oddelek za primerjalno književnost in literarno teorijo, Oddelek za slovenistiko
Pages: 43 str.
ID: 25078394
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