Iskanje svetlobe v krajini

magistrsko delo

Urša Barič (Author), Črtomir Frelih (Mentor)

Abstract

V magistrskem delu bom raziskovala grafično tehniko kolagrafijo – svetlenje iz temne osnove, ki se uvršča med sodobnejše tehnike globokega tiska. Skozi lastno likovno ustvarjanje bom preizkušala njene likovne in tehnične potenciale, analizirala njene prednosti in omejitve ter preverila stopnjo zahtevnosti za izvajanje v šolskem okolju. Na podlagi lastnih izkušenj bom oblikovala prilagoditve tehnološkega postopka, ki bodo omogočile izvajanje te tehnike v osnovnošolskem prostoru. Poseben poudarek bo namenjen motiviki krajine in uporabi svetlostnih in globinskih ključev, tako v mojih lastnih delih kot tudi pri likovnem izražanju učencev. Zanimala me bo predvsem možnost, kako se zahtevnejša likovna tehnika lahko prenese v šolski kontekst in kakšne odzive vzbudi pri učencih. Z učenci 8. in 9. razreda bom izvedla ure likovne umetnosti, v okviru katerih bomo skupaj raziskovali proces ustvarjanja v tehniki kolagrafije, prepoznavali likovne zakonitosti svetlo temnega, ter se soočili s klasičnim motivom krajine v sodobnem likovnem izrazu. V teoretičnem delu bom obravnavala tehniko kolagrafijo, raziskala vlogo svetlostnih in globinskih ključev v umetnosti in predstavila motiv krajine skozi umetnostnozgodovinski in sodobni vidik, s poudarkom na slovenskem prostoru. Obenem bom z orodji likovne teorije analizirala prostorske ključe, ki so pomembni za razumevanje in oblikovanje likovnega prostora. Raziskovalni del bo vključeval praktično preizkušnjo tehnike, analizo lastnih likovnih del, učnih ur v razredu in likovnih izdelkov učencev. Osrednji cilj raziskave bo opazovanje usvajanja nove grafične tehnike, odzivov učencev na izzive likovnega procesa ter njihovo razumevanje sodobne interpretacije klasičnega motiva.

Keywords

kolagrafija;globoki tisk;krajina;svetlostni ključi;svetlenje iz temne osnove;

Data

Language:	Slovenian
Year of publishing:	2025
Typology:	2.09 - Master's Thesis
Organization:	UL PEF - Faculty of Education
Publisher:	[U. Barič]
UDC:	37.015.31:7(043.2)
COBISS:	245370115
Views:	86
Downloads:	20
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Searching for light in the landscape
Secondary abstract:	In my master’s thesis, I will explore the printmaking technique of collagraphy – lightening from a dark base, which belongs to the more contemporary methods of intaglio printing. Through my own artistic practice, I will examine its visual and technical potentials, analyze its strengths and limitations, and assess the level of difficulty for its implementation in the school setting. Based on my own experience, I will develop adaptations of the technological process that enable the use of this technique in elementary school environments. Special emphasis will be placed on the landscape motif and the use of tonal (value) and spatial keys, both in my own works and in the artistic expression of students. I will focus particularly on the potential for transferring a demanding printmaking technique into an educational context and the types of responses it elicits among pupils. I will conduct art lessons with 8th and 9th grade students, during which we will jointly explore the process of creating with the collagraphy technique, identify visual principles of light and dark contrast, and engage with the classical landscape motif through a contemporary artistic lens. In the theoretical section, I will address the collagraphy technique, investigate the role of tonal and spatial keys in visual art, and present the landscape motif through both an art historical and a contemporary perspective, with a particular focus on the Slovenian context. At the same time, I will analyze spatial keys, important for understanding and creating pictorial space, through tools of visual theory. The research part will include practical experimentation with the technique, analysis of my own artworks, classroom lessons, and evaluation of students’ art projects. The main objective of the study is to observe how students acquire a new printmaking technique, how they respond to the challenges of the artistic process, and how they understand a contemporary interpretation of a classical motif.
Secondary keywords:	collagraphy;intaglio printing;landscape;tonal keys;lightening from a dark base;Likovna vzgoja in izobraževanje;Svetloba;Univerzitetna in visokošolska dela;
Type (COBISS):	Master's thesis/paper
Study programme:	0
Thesis comment:	Univ. v Ljubljani, Pedagoška fak., Likovna pedagogika
Pages:	1 spletni vir (1 datoteka PDF (VIII, 80 str.))
ID:	26888419