Secondary language: |
English |
Secondary title: |
The message of the colors in the film |
Secondary abstract: |
The thesis explores the message of the colors in the film. First it dives in to the color world, where we get to know the formation of colors, trying to connect the color and harmonious relationship in the film, from which is born the color symbolism. For easier understanding we dig in to the film and color history. The emphasis is on understanding the red, which appears later in the teaching work for film analysis. Selected film is Blue, which, in the title as well as in the film shows the advantage of using color symbolism. The professional component includes film workshop, where participants shot a short film and in it, played with the symbolic of color red. |
Secondary keywords: |
colour;film;barva; |
File type: |
application/pdf |
Type (COBISS): |
Undergraduate thesis |
Thesis comment: |
Univ. Ljubljana, Pedagoška fak., Likovna pedagogika |
Pages: |
VIII, 64 str. |
Type (ePrints): |
thesis |
Title (ePrints): |
The message of the colors in the film |
Keywords (ePrints): |
barva |
Keywords (ePrints, secondary language): |
colour |
Abstract (ePrints): |
Diplomsko delo raziskuje sporočilnost barve v filmu. Najprej se poda v barvni svet, kjer malo bolje spoznamo nastajanje barv, nato pa poskuša povezati barvo in film v harmoničen odnos, iz katerega se rodi barvni simbolizem. Za lažje razumevanje se podamo po sami filmski zgodovini in filmskih primerih uporabe barve. Poudarek je na razumevanju rdeče, ki se kasneje pojavi v pedagoškem delu, za filmsko analizo pa je izbran film Modra, ki tako v naslovu kot tudi v samem filmu prikaže prednost uporabe barvnega simbolizma. Pedagoški del zajema filmsko delavnico, kjer so udeleženci posneli kratek film in se simbolično poigrali z rdečo barvo. |
Abstract (ePrints, secondary language): |
The thesis explores the message of the colors in the film. First it dives in to the color world, where we get to know the formation of colors, trying to connect the color and harmonious relationship in the film, from which is born the color symbolism. For easier understanding we dig in to the film and color history. The emphasis is on understanding the red, which appears later in the teaching work for film analysis. Selected film is Blue, which, in the title as well as in the film shows the advantage of using color symbolism. The professional component includes film workshop, where participants shot a short film and in it, played with the symbolic of color red. |
Keywords (ePrints, secondary language): |
colour |
ID: |
8311373 |