Mladinska književnost in filmske predelave

študija primera Kekec

Gašper Ogorelec (Author), Milena Blažič (Mentor)

Abstract

V diplomskem delu sem se osredotočil na prepletenost literature in filma ter medsebojno primerjal povesti o Kekcu slovenskega mladinskega pisatelja Josipa Vandota ter njihovo adaptacijo na filmsko platno. Uvodni del sem namenil kratki predstavitvi zgodovine filmske umetnosti na slovenskem ter slovenskemu filmu. Opredelil sem pojem mladinskega filma kot žanr in njegovo stanje ter status pri nas, ob tem pa izpostavil nekaj najbolj odmevnih domačih mladinskih celovečercev, ki so nastali na osnovi literarnih predlog in njihovih režiserjev. V nadaljevanju predstavim pisatelja Josipa Vandota in se v jedru diplomskega dela osredotočim na njegove zgodbe o Kekcu (snov, motiv, literarni čas, dogajanje in prostor), po katerih je bila posneta trilogija s Kekcem v naslovni vlogi (Kekec nad samotnim breznom, 1924, Kekec na volčji sledi, 1922). Omenjene literarne predloge primerjam s filmskimi upodobitvami (Kekec, 1951, Srečno, Kekec!, 1963 ter Kekčeve ukane, 1968) režiserja Jožeta Galeta in izpostavim njihove skupne značilnosti, podobnosti in razlike ter na primerih prikažem, da so si filmski ustvarjalci v primeru Kekca vzeli kar precej ustvarjalne svobode, vseeno pa uspeli posneti všečne, povsem korektne in predvsem brezčasne celovečerce z mladinsko tematiko s Kekcem v glavni vlogi.

Keywords

mladinski in otroški film;filmska adaptacija;literarna predloga;Kekec;

Data

Language:	Slovenian
Year of publishing:	2015
Typology:	2.11 - Undergraduate Thesis
Organization:	UL PEF - Faculty of Education
Publisher:	[G. Ogorelec]
UDC:	82-93:791(043.2)
COBISS:	10729545
Views:	1038
Downloads:	106
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Youth literature and transformation into film – case study Kekec
Secondary abstract:	In the following thesis l concentrate on the interpenetration of literature and film. As a result, Josip Vandot's stories of Kekec and its adaptation into film are compared. In the introductory part, history of Film Arts in Slovenia and Slovenian Film are presented. Also,the concept of Youth Literature as a genre and its status in our Country are defined. Further on, I highlight the high profile feature Youth Films, which are based on Literary Sources. Later on, a Slovenian Youth writer Josip Vandot is presented. I focus on Vandot's themes, contents, style, motives, literary actions, time and space in his stories of Kekec (Kekec nad samotnim breznom, 1924, Kekec na volčji sledi, 1922), based on which a trilogy with Kekec as a main character was filmed. The previously mentioned literary sources are compared to film depictions (Kekec, 1951, Srečno, Kekec!, 1963 ter Kekčeve ukane, 1968), directed by Jože Gale. I highlight the common features, as well as the similarities and differences of the above. Also, it is shown that the film creators took quite an amount of creative freedom when transforming stories into film. Nonetheless, they managed to produce likeable, quite correct Feature Youth Films with Kekec as the main character.
Secondary keywords:	children's and youth literature;film;mladinska književnost;
File type:	application/pdf
Type (COBISS):	Undergraduate thesis
Thesis comment:	Univ. Ljubljana, Pedagoška fak., Razredni pouk
Pages:	V, 59 str.
ID:	9055959