diplomsko delo
Abstract
Predmet diplomske raziskave je kratkoprozna zbirka Luči ob cesti (1932) Ludvika Mrzela. Osredotoča se na metaforiko, ki je v zbirki najpogostejše stilno sredstvo. Analiza je potekala s pomočjo interakcijske in kognitivne teorije metafore. Metafore so razvrščene najprej po metaforičnih oblikah, nato pa po izhodiščnih območjih. Z oblikovnega vidika prevladujejo epitetoneza, glagolska metafora in primera, manj pogosta je samostalniška metafora, še redkejši sta genitivna metafora in identifikacija. Izhodišča metafor so iz območij čutnih zaznav, naravnih pojavov, predmetnega sveta, človekovega delovanja ter abstraktnih pojmov. Med konceptualnimi metaforami je najopaznejša metafora poti za življenje osamljenega in odtujenega subjekta. V metaforah, najgostejše so v lirskih meditacijah in impresionističnih razpoloženjskih vložkih, je vizualiziran ali konkretiziran človekov miselni in čustveni svet, prisotne so antropomorfizacije pokrajine, predmetov in drugih konkretnih pojavov, pojavljajo se tudi sinestezijske in oksimoronske zveze. Našteta pomenska območja gradijo lepotno, ubrano metaforiko, s katero se uresničuje lirski model črtice, ki, kadar so metafore še posebej pogoste, prehaja v pesem v prozi. Čeprav je na tematski ravni nekaj znamenj novejših tokov, je Mrzel z lirizacijo, na estetiki lepote temelječo metaforiko, osebno izpovednostjo in poseganjem po simbolih za izražanje duševnih stanj ostal povsem v okviru za Cankarja značilne impresionistične in simbolistične kratkoprozne poetike.
Keywords
Luči ob cesti;črtice;pesmi v prozi;simboi;metafore;diplomska dela;Mrzel;Ludvik;1904-1971;
Data
Language: |
Slovenian |
Year of publishing: |
2016 |
Typology: |
2.11 - Undergraduate Thesis |
Organization: |
UM FF - Faculty of Arts |
Publisher: |
[T. Stipič] |
UDC: |
821.163.6-32.09Mrzel L.(043.2) |
COBISS: |
21917960
|
Views: |
1281 |
Downloads: |
145 |
Average score: |
0 (0 votes) |
Metadata: |
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Other data
Secondary language: |
English |
Secondary title: |
Stylistic elements in Mrzel's collection Luči ob cesti |
Secondary abstract: |
The subject of the graduation thesis is the Luči ob cesti (Lights along the road) collection of short prose by Ludvik Mrzel from 1932. It focuses on metaphor as the prevalent stylistic feature of the collection. The analysis was conducted with the help of the interactional and cognitive theory of metaphor. The metaphors are classified first according to their metaphorical form and then according to source areas. Dominant form-wise are epithets, verb metaphors and similes; noun metaphors are less frequent, while there are even fewer cases of genitive metaphor or of identification. The metaphor sources are from the fields of sensory perception, natural phenomena, objects, human activity and abstract notions. Standing out among the conceptual metaphors is the metaphor of the path, used for the life of a lonely and alienated subject. The metaphors, which are featured strongly above all in passages of lyrical meditation and impressionistic atmospheric inserts, visualise and set down in concrete form man's mental and emotional life, there are instances of anthropomorphisation with respect to the landscape, objects and other concrete phenomena, while there are also cases of synesthetic word combinations and oxymorons. The listed fields of meaning construct an aesthetic and balanced world of metaphor, which is in the service of the lyrical short story model and leads to a transition to prose poem in spots where metaphors are particularly prominent. Although there are some signs at the thematic level of newer currents, Mrzel's lyrical tone, metaphors based on beauty, his confessional style and use of symbols for expressing mental states left the author fully within the framework of the impressionistic and symbolistic short prose characteristic of Cankar. |
Secondary keywords: |
Luči ob cesti;lyrical short stories;prose poems;symbols;metaphors;theses; |
URN: |
URN:SI:UM: |
Type (COBISS): |
Undergraduate thesis |
Thesis comment: |
Univ. v Mariboru, Filozofska fak., Oddelek za slovanske jezike in književnosti |
Pages: |
80 f. |
ID: |
9115261 |