diplomsko delo
Povzetek
Marija Kmet je veliko večino svojih del napisala v obdobju moderne. To je bilo obdobje slogovnega pluralizma, tako v njenih delih najdemo največ impresionističnih prvin, nekoliko manj realističnih in ekspresionističnih značilnosti, pa tudi zametke dekadence in simbolizma. To slogovno pluralistično obdobje moderne je razvilo dva tipa črtic. Še vedno je bil pogost realistični tip črtice, ki je pod vplivom duha časa in evropske smeri moderne vedno bolj izginjal, na njegovo mesto pa je vstopil nov, lirski model črtice, ki je ob koncu devetnajstega in v začetku dvajsetega stoletja postal prevladujoč. Ob lirski črtici je postajala vedno pogostejša tudi pesem v prozi. Tudi pri nas se je vedno pogosteje uveljavljala, poleg Kmetove so jo pisali še Ivan Cankar, Zofka Kvedrova, Fran Ksaver Meško, Milan Pugelj in drugi. Kmetova je pisala novele, lirske črtice in pesmi v prozi. V novelah je največkrat pisala v realističnem slogu in je najpogosteje govorila o družbenokritičnih in socialnih temah. V lirskih črticah in pesmih v prozi pa je največkrat izpovedovala svoja notranja doživetja, najpogosteje v impresionističnem slogu. Njeno ustvarjanje je tematsko in stilno izjemno raznoliko.
Ključne besede
slovenska književnost;Kmet, Marija;kratka proza;poetika;lirske črtice;pesmi v prozi;diplomska dela;
Podatki
Jezik: |
Slovenski jezik |
Leto izida: |
2009 |
Izvor: |
Maribor |
Tipologija: |
2.11 - Diplomsko delo |
Organizacija: |
UM FF - Filozofska fakulteta |
Založnik: |
[M. Lorber] |
UDK: |
821.163.6(043.2) |
COBISS: |
17062152
|
Št. ogledov: |
3053 |
Št. prenosov: |
358 |
Ocena: |
0 (0 glasov) |
Metapodatki: |
|
Ostali podatki
Sekundarni jezik: |
Angleški jezik |
Sekundarni naslov: |
Poetics of Marija Kmet's short prose |
Sekundarni povzetek: |
Marija Kmet wrote most of her works during the Modernism. That was a period of pluralistic style. That is why we can find mostly impressionistic elements in her work and somewhat less realistic and expressionistic characteristics. There are also some marks of decadence and symbolism. This stylistic period developed two types of novelettes. The prevailing one was still the realistic novelette, which was, under the spirit of time and European direction of Modernism, more and more disappearing. The position was taken over by the lyric novelette model, which became prevailing by the end of the 19th and beginning of the 20th Century. Next to lyric novelette there was more prose poetry. It was getting used more often in our country as well. Apart from Marija Kmet, it was written by Ivan Cankar, Zofka Kvedrova, Fran Ksaver Meško, Milan Pugelj and others. Marija Kmet wrote short stories, lyric novelettes and prose poetry. Her short stories were usually written in a realistic style. She was mostly referring to society-critical and social topics. Lyric novelettes and prose poetry were expressing her inner experiences, often in an impressionistic style. Her literary creation was thematically and stylistically extremely diverse. |
Sekundarne ključne besede: |
Univerzitetna in visokošolska dela; |
URN: |
URN:SI:UM: |
Vrsta dela (COBISS): |
Diplomsko delo |
Komentar na gradivo: |
Univ. v Mariboru, Filozofska fak., Oddelek za slovanske jezike in književnosti |
Strani: |
83 f. |
Ključne besede (UDK): |
language;linguistics;literature;jezikoslovje;filologija;književnost;literature;književnost;literatures of individual languages and language families;književnost posameznih jezikov;literature of slavic (slavonic) languages;slovanske književnosti;south slavic / slavonic literatures;južnoslovanske književnosti;slovenian literature;slovenska književnost; |
ID: |
8761621 |