magistrsko delo
Lidija Podmenik (Author), Dragica Haramija (Mentor)

Abstract

Pri pisanju magistrskega dela z naslovom Mladinska proza Primoža Suhodolčana smo izhajali iz celotnega opusa pisateljevih mladinskih besedil, ki so izšla do konca leta 2014. Obravnava avtorja ni naključna, saj je pisatelj dolgo veljal za najpomembnejšega mladinskega, v zadnjem času pa velja za najbolj branega slovenskega pisatelja. Njegova mladinska proza v zadnjih letih dosega največje število izposoj na avtorja. V začetnem delu študije povzemamo definicije in značilnosti kratke proze (humoreska, pravljica, fantastična zgodba), kot so jih zapisali slovenski in tuji teoretiki, ter sem umestimo vsa kratka prozna besedila Primoža Suhodolčana. V seriji slikanic o Petru Nosu gre za kratkoprozna besedila, ki sodijo v iracionalno prozo in temeljijo na situacijski ali besedni komiki ter deloma sodijo med aforizme. Obravnavamo še dve slikanici o Lipku, kjer gre za kratko fantastično pripoved. Deček Rok odide na igrišče, kjer zavedno vstopi v svet dreves in z njimi igra košarko. Zgodbe temeljijo na verjetnostni oziroma realistični motivaciji in poudarjajo pomen prijateljstva, sožitja z naravo in športa. Kratka fantastična proza je obravnavana tudi v seriji Živalske novice, kjer gre za posebej oblikovana dela, ki predstavljajo avtorjev publicistični način pisanja in sporočanja. Z analizo in sintezo serije Pozor, pravljice! je bilo ugotovljeno, da gre za preplet pravljic, ki v ospredje postavijo otroški glavni literarni lik, oživljeno igračo/predmet, poosebljeno žival, rastlino ali nebesno telo/pojav, beremo pa tudi pravljice z glavnim literarnim likom, ki je znan iz ljudskega pravljičnega izročila. Daljša realistična proza je predstavljena v trilogiji o Ranti, kjer gre za športno avanturistično prozo, za katero je pisatelj Primož Suhodolčan prejel kar nekaj nagrad. Povest Maks pa Sanja je otroška detektivka, v kateri igrata pomembno vlogo Maks in Sanja, in je napisana kot dnevniški zapis. V zadnjem delu študije je posebno poglavje namenjeno humorju, ki je avtorjev zaščitni znak, saj se v njegovi mladinski prozi prepletajo situacijska, besedna in značajska komika.

Keywords

slikanice;pravljice;fantastične zgodbe;humor;magistrska dela;Suhodolčan;Primož;1959-;

Data

Language: Slovenian
Year of publishing:
Typology: 2.09 - Master's Thesis
Organization: UM PEF - Faculty of Education
Publisher: [L. Podmenik]
UDC: 821.163.6.09-93-32Suhodolčan P.(043.2)
COBISS: 21949704 Link will open in a new window
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Downloads: 277
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Other data

Secondary language: English
Secondary title: Promož Suhodolčan´s Youth Prose
Secondary abstract: The master's thesis entitled Primož Suhodolčan's Youth Prose encompasses the whole opus of the author's young adult literary works published until the end of 2014. The choice of this author was not a coincidence, since he has long been considered as the most important Slovenian writer of young adult literature, and more recently he has become the most widely read Slovenian writer. In recent years, his youth prose has been borrowed in libraries more often than the works of any other author. In the first part of the study, we summarize the definitions and characteristics of short prose (humorous sketch, fairy tale, fantastic story) as established by Slovenian and foreign theorists, and categorize all short prose works by Primož Suhodolčan in this framework. The series of picture books about the character Peter Nos consists of short prose texts that belong to irrational prose and are based on situational or verbal comedy. In part, they can be perceived as aphorisms. We also deal with two picture books about the character Lipek; these are fantasy short stories. The boy Rok goes to a playground, where he consciously enters into the world of trees and plays basketball with them. The stories are based on probabilistic or realistic motivation and stress the importance of friendship, of the coexistence with nature and of sport. The series Živalske novice also falls under fantasy short prose; these are specially crafted works that represent the authors' journalistic style of writing and communication. By the analysis and synthesis of the series Pozor, pravljice! it was established that this is a combination of fairy tales which foreground the child main character, a toy / object that comes to life, a personified animal, plant or celestial body / phenomenon. In this series there are also fairy tales with a main character who is known from the folk fairy tale tradition. Longer realistic prose is presented in the trilogy about Ranta, which represents sports adventure prose for which the writer Primož Suhodolčan has received several awards. The tale Maks pa Sanja is a children's detective story in which Maks and Sanja play an important role, and it is written as a diary entry. In the last part of the study there is a section dealing specifically with humour, which is the author%s hallmark, since in his youth prose situational, verbal and character comedy are intertwined.
Secondary keywords: picture books;fairy tales;fantasy stories;humour;master theses;
URN: URN:SI:UM:
Type (COBISS): Master's thesis
Thesis comment: Univ. v Mariboru, Pedagoška fak., Oddelek za razredni pouk
Pages: 149 str.
ID: 9119559