Pojav, uporaba in zapis svobodnih izvajalskih tehnik v zgodovini glasbe

diplomsko delo

Jure Najdič (Author), Tomaž Svete (Mentor)

Abstract

Namen pričujoče diplomske naloge je predstavitev širokega pojma svobodnih izvajalskih praks ali improvizacije v glasbeni umetnosti zahodne glasbe. V tem okviru želi naloga prikazati konkretne primere glasbenih praks in oblik, ki skozi prizmo posameznih zgodovinskih obdobij osvetljujejo sam pojav, uporabo in zapis svobodnih izvajalskih tehnik. Delo obravnava definicijo, razumevanje in razvoj samega pojma improvizacije, ki se je skozi številne muzikološke študije spreminjal. Z analizo in raziskovanjem kompozicijskih tehnik se delo posveča načinom uporabe in herminevtike improvizacije v glasbenih obdobjih srednjega veka, renesanse, baroka, klasicizma, romantike in glasbe 20. stoletja.

Keywords

diplomska dela;svobodne izvajalske tehnike;glasbena improvizacija;kompozicija;zgodovina glasbe;svobodne glasbene oblike;

Data

Language:	Slovenian
Year of publishing:	2016
Typology:	2.11 - Undergraduate Thesis
Organization:	UM PEF - Faculty of Education
Publisher:	[J. Najdič]
UDC:	781.65(043.2)
COBISS:	22394120
Views:	730
Downloads:	73
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	THE PHENOMENON, USE AND NOTATION OF FREE TECHNIQUES IN THE HISTORY OF WESTERN MUSIC
Secondary abstract:	The purpose of this thesis is to present a broad concept of free practice for executive or improvisation in the music art of the western music. In this context, the task of this work is to show concrete examples of musical practice and forms through the prism of historical periods illuminate the phenomenon itself, use and record of executive free techniques. The work deals with the definition, understanding and development of the concept of improvisation, which varies through a series of musicological studies. With the analysis and research of compositional techniques the work focuses on use and hermenautics of improvisation in the music of the medieval period, the Renaissance, baroque, classical, romantic and 20th century music.
Secondary keywords:	theses;free executive technique;improvisation;composition;history music;free music formats;
URN:	URN:SI:UM:
Type (COBISS):	Undergraduate thesis
Thesis comment:	Univ. v Mariboru, Pedagoška fak., Oddelek za glasbo
Pages:	80 f.
ID:	9139924