diplomsko delo
Ines Krivec (Author), Tanja Verlak (Mentor)

Abstract

Diplomsko delo analizira dokumentarno fotografijo 20. stoletja ter semiotično analizo fotografije. Dokumentarna fotografija vedno poskuša sporočati in pustiti vtis. Da bi v tem uspela, mora poiskati pravilen odnos med objektivno vsebino in svojevoljnim subjektivnim ustvarjalnim nagonom. Človek je subjektivno bitje, zato je linija med objektivnim in subjektivnim v sferi dokumentarizma zelo tanka. Fotograf odloča o videzu posnetka, vedno vsiljuje merila tistemu, kar fotografira, in s tem tudi vpliva na sporočilnost in samo avtentičnost fotografije. Fotografije in njihov pomen analiziramo s pomočjo semiologije.

Keywords

diplomska dela;fotografija;dokumentarna fotografija;objektivnost;subjektivnost;semiotika;

Data

Language: Slovenian
Year of publishing:
Typology: 2.11 - Undergraduate Thesis
Organization: UM PEF - Faculty of Education
Publisher: [I. Krivec]
UDC: 77.044"19"(043.2)
COBISS: 22541576 Link will open in a new window
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Other data

Secondary language: English
Secondary title: DOCUMENTARY PHOTOGRAPHY OF THE 20th CENTURY AND SEMIOTIC ANALYSIS OF PHOTOGRAPHY
Secondary abstract: This thesis analyses documentary photography of the 20th century and semiotic analysis of photography. The documentary photography always tries to leave a message and make an impression. To succeed that, it has to find the right relationship between objective contents and arbitrary subjective creative instinct. A human is a subjective creature that is why the line between objective and subjective can be very thin in the sphere of documentary. The photographer decides about the look of the shot, imposes standards to what is being photographed and that affects the communicativeness and authenticity of the photography. Photography and its meaning are analysed by semiology.
Secondary keywords: theses;photography;documentary photography;objectivity;subjectivity;semiotics;
Type (COBISS): Undergraduate thesis
Thesis comment: Univ. v Mariboru, Pedagoška fak., Oddelek za likovno umetnost
Pages: 98 f.
ID: 9154388
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