ǂthe ǂart of pornological reflections
Aleš Bunta (Author)

Abstract

Prispevek se osredotoča na politično razsežnost dveh stripov, ki pripadata zlati dobi italijanskega stripovskega žanra fumetto nero: Valentine Guida Crepaxa ter Alana Forda umetniškega tandema Magnus & Bunker. Zagovarjamo tezo, da je provokativna učinkovitost obeh stripov rezultat kombinacije dveh umetniških pristopov. Prvi pristop bomo na podlagi Deleuza imenovali "pornološka refleksija" (tj. specifična sposobnost stripa, da zrcali družbeno inherentne perverzije). Drugi pristop pa bomo označili za "metafizičen", saj sloni na umetnikovi sposobnosti zajetja (globljih ravni politične) realnosti znotraj njenih na videz lažnih negacij.

Keywords

Stripi;Sociologija kulture;

Data

Language: English
Year of publishing:
Typology: 1.01 - Original Scientific Article
Organization: UL FDV - Faculty of Social Sciences
UDC: 316.7:741.52
COBISS: 34221661 Link will open in a new window
ISSN: 0040-3598
Parent publication: Teorija in praksa
Views: 261
Downloads: 39
Average score: 0 (0 votes)
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Other data

Secondary language: Slovenian
Secondary abstract: The paper will focus on the political dimension of two comics belonging to the golden era of the Italian comic-book genre fumetto nero: Guido Crepax's Valentina and Magnus & Bunker's Alan Ford. My claim is that their respective provocative effectiveness is the result of combination of two artistic approaches. Following Deleuze, I will name the first approach "pornological reflection" (i.e. the comic-book's specific capacity to mirror the perversities that are inherent to society). The second approach, I will describe as "metaphysical" - for it consists of the artist's capacity to "capture" (deeper layers of political) reality within its seemingly false negations.
Secondary keywords: Comic books, strips, etc.;Sociology of culture;
Type (COBISS): Not categorized
Pages: str. 891-905, 1022
Volume: ǂLetn. ǂ53
Issue: ǂšt. ǂ4
Chronology: jul.-avg. 2016
ID: 9169728
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