| Jezik: | Angleški jezik |
|---|---|
| Leto izida: | 2016 |
| Tipologija: | 1.01 - Izvirni znanstveni članek |
| Organizacija: | UL FDV - Fakulteta za družbene vede |
| UDK: | 316.7:741.52 |
| COBISS: |
34221661
|
| ISSN: | 0040-3598 |
| Matična publikacija: | Teorija in praksa |
| Št. ogledov: | 261 |
| Št. prenosov: | 39 |
| Ocena: | 0 (0 glasov) |
| Metapodatki: |
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| Sekundarni jezik: | Slovenski jezik |
|---|---|
| Sekundarni povzetek: | The paper will focus on the political dimension of two comics belonging to the golden era of the Italian comic-book genre fumetto nero: Guido Crepax's Valentina and Magnus & Bunker's Alan Ford. My claim is that their respective provocative effectiveness is the result of combination of two artistic approaches. Following Deleuze, I will name the first approach "pornological reflection" (i.e. the comic-book's specific capacity to mirror the perversities that are inherent to society). The second approach, I will describe as "metaphysical" - for it consists of the artist's capacity to "capture" (deeper layers of political) reality within its seemingly false negations. |
| Sekundarne ključne besede: | Comic books, strips, etc.;Sociology of culture; |
| Vrsta dela (COBISS): | Delo ni kategorizirano |
| Strani: | str. 891-905, 1022 |
| Letnik: | ǂLetn. ǂ53 |
| Zvezek: | ǂšt. ǂ4 |
| Čas izdaje: | jul.-avg. 2016 |
| ID: | 9169728 |