Natalija Majsova (Author)

Abstract

V članku razpravljamo o estetskem potencialu enega prvih postsovjetskih stripov Bylinnaja Rus' (Rusija Epov, 1992), delu Viktorja Agafonova. Stripovska saga, ki dandanes velja za izjemno izviren primerek postsovjetske stripovske umetnosti, prestavlja prigode ruskega ljudskega junaka (bogatyr) Ilje Muromca, in sicer na estetsko drzen in navdihujoč način. Kompozicija, barvna shema, stilizirana pisava in umestitev teksta v strip nakazujejo na vzporednice med stripom in tradicijo krščanske pravoslavne ikonografije, kar pa nekoliko otežuje razumevanje stripa za povprečnega bralca/gledalca. V članku si prizadevamo ponuditi dvojno branje dela, v katerem se po eni strani zanašamo na analizo naracije, po drugi pa se vračamo k ikonografskim koreninam dela: lahko bi rekli, da preizkušamo iztočnice za morebitno ikonografsko branje stripa.

Keywords

Stripi;Analiza (Filozofija);Ruska književnost;

Data

Language: English
Year of publishing:
Typology: 1.01 - Original Scientific Article
Organization: UL FDV - Faculty of Social Sciences
UDC: 741.52:821.161.1
COBISS: 34221917 Link will open in a new window
ISSN: 0040-3598
Parent publication: Teorija in praksa
Views: 666
Downloads: 119
Average score: 0 (0 votes)
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Other data

Secondary language: Slovenian
Secondary abstract: The text text discusses the aesthetic potential of one of the first post-Soviet comics, Bylinnaya Rus' (The Russia of the Epics, 1992) created by Viktor Agafonov. The comic saga, which is now valued as a most original example of rare post-Soviet comic book art, presents the adventures Russian folk hero (bogatyr) Ilya Muromets in a most inspiring and daring aesthetic manner. The composition, colour scheme, fonts, and text presentation of the work demonstrate clear parallels with the tradition of Christian Orthodox iconography, which somewhat complicates their comprehension for the average reader/viewer. This article offers a double reading of the work, reliant on the one hand on narrative analysis, and on the other (and at the same time) on an iconographic reading: it may be considered as an annotated introduction to a possible iconography of the comic book text.
Secondary keywords: postsovjetski strip;Comic books, strips, etc.;Analysis (Philosophy);Russian literature;
Type (COBISS): Not categorized
Pages: str. 906-919, 1022
Volume: ǂLetn. ǂ53
Issue: ǂšt. ǂ4
Chronology: jul.-avg. 2016
ID: 9169729