Jezik: | Slovenski jezik |
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Leto izida: | 2016 |
Tipologija: | 2.11 - Diplomsko delo |
Organizacija: | UM FERI - Fakulteta za elektrotehniko, računalništvo in informatiko |
Založnik: | M. Gjergjek |
UDK: | 77.03(043.2) |
COBISS: | 20029462 |
Št. ogledov: | 2266 |
Št. prenosov: | 430 |
Ocena: | 0 (0 glasov) |
Metapodatki: |
Sekundarni jezik: | Angleški jezik |
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Sekundarni naslov: | DOCUMENTARY PHOTOGRAPHY |
Sekundarni povzetek: | The thesis contains a historical overview of documentary photography and its use throughout history. Our assumptions about inseparability of aestheticism and dokumentarism in a social documentary photography is confirmed to be true, as we had examine various work of documentary photographers and their critics. Our thesis confirmed that documentary photography has conotation and denotation features and that its credibility is conditional on the photographer's integrity and presentation of topics in a meaningful way. To understand the message of documentary photography is also important spectator’s intelligence and ability to understand its semantic communicative. |
Sekundarne ključne besede: | photography;documentarism;art; |
URN: | URN:SI:UM: |
Vrsta dela (COBISS): | Diplomsko delo |
Komentar na gradivo: | Univ. v Mariboru, Fak. za elektrotehniko, računalništvo in informatiko, Medijske komunikacije |
Strani: | 84 f. |
ID: | 9164888 |