Spektakel in simulaker v delu Beli šum Dona DeLilla

raziskava v problem realnega

Miha Sterle (Avtor), Eva D. Bahovec (Mentor), Matevž Kos (Mentor)

Povzetek

Pričujoča diplomska naloga v svojem prvem delu raziskuje koncepta spektakla (Guy Debord) in simulakra (Jean Baudrillard) ter njuno nanašanje na pojem realnega. S slednjim v mislih pokaže pot, ki vodi od Marxove odtujenosti preko Debordovega spektakla do Buadrillardove simulacije in s tem smiselno poveže ter zaključi filozofsko dogajanje v okolici dvojice spektakel/simulaker tekom druge polovice 20. stoletja. V zaključnem delu prvega dela diplomske naloge ponudim kratko alternativno razumevanje simulacije, ki omogoči pozitivni pogled na navidezno neprebojno negativnost Baudrillardove aporije. V drugem delu diplomske naloge filozofski koncepti iz prvega dela postanejo temelji analize romana Beli šum ameriškega avtorja Dona DeLilla. Njen namen je predstaviti branje, v katerem se celotni svet romana orientira glede na filozofski argument v njegovem središču. Zaključek je tu razdeljen na dva dela: prvi se ukvarja z razrešitvijo filozofske problematike, ki je podana znotraj romana, drugi pa s konceptom problemske literature in teoretskimi posledicami, ki jo ima koncept problemske literature za literaturo nasploh.

Ključne besede

literatura in filozofija;realno;spektakel;simulaker;ameriška književnost;diplomsko delo;DeLillo;Don;1936-;"Beli šum";Debord;Guy;1931-1994;Baudrillard;Jean;1929-2007;

Podatki

Jezik:	Slovenski jezik
Leto izida:	2017
Tipologija:	2.11 - Diplomsko delo
Organizacija:	UL FF - Filozofska fakulteta
Založnik:	[M. Sterle]
UDK:	821.111(73).09DeLillo D.
COBISS:	65154402
Št. ogledov:	722
Št. prenosov:	351
Ocena:	0 (0 glasov)
Metapodatki:

Ostali podatki

Sekundarni jezik:	Angleški jezik
Sekundarni povzetek:	In the first part of my bachelor thesis, I investigate the concept of spectacle (Guy Debord) and the concept of simulacra (Jean Baudrillard) and their engagement with the concept of reality. Centered on it a path is shown that leads from Marx's alienation to Debord's spectacle and ends in Baudrillard's simulation. A certain way of thinking about reality in the second half of the 20th century using the double spectacle/simulacra is thus established. At the end of the first part of my thesis, an alternative reading of Baudrillard's negative aporia of simulation is proposed. In the second part of my thesis, philosophical concepts give way to an analysis of the novel White noise written by American author Don DeLillo. The purpose of this reading is to show how the whole of the novel could be understood as being oriented and moved by the philosophical argument discussed in the first part of my thesis. The ending of this part is divided in two: first part deals with the solution to the philosophical argument proposed by DeLillo himself and the other with the concept of problem oriented literature and one of the consequences such a concept would have on the field of literary theory.
Vrsta dela (COBISS):	Diplomsko delo/naloga
Komentar na gradivo:	Univ. v Ljubljani, Filozofska fak., Oddelek za filozofijo, Oddelek za primerjalno književnost in literarno teorijo
Strani:	44 f.
ID:	10976775