Prilaščanje Malevičevega Črnega kvadrata v pop umetnost

diplomsko delo

Kaja Tuta (Avtor), Anja Jerčič Jakob (Mentor)

Povzetek

Cilj diplomske naloge je bil raziskati primernost naravnih materialov in njihovo uporabnost pri izdelavi slikarskih barv; izdelati slikarski prah in vezanje z naravnimi vezivi, da bi dosegli čim manjši poseg v umetne slikarske materiale in tako slikarstvo narediti čim bolj ekološko. V teoretičnem delu diplomske naloge smo raziskovalo zgodovino, razvoj pigmentov. Zanimali so nas materiali, iz katerih so pridelovali pigmente, kako so jih obdelovali in kakšne odtenke so pridobivali. Seveda imajo tudi veziva svojo zgodovino in uporabo. Zgodovinski pregled seže do 20. stoletja, ko so se pojavile sintetične, umetne barve. V praktičnem delu smo se sami preizkusili v izdelavi in obdelavi pigmentov ter barv. Raziskovali smo razmerja mešanja, primernost pigmentov in veziv. Svoje raziskovanje sem predstavila učenki šestega razreda na likovni delavnici, kjer je spoznala postopek izdelave pigmentov, barv in slikanje z njimi.

Ključne besede

modernizem;Malevič;suprematizem;Črni kvadrat;pop umetnost;ponavljanje;avra;redukcionizem;ploskovitost;prilaščanje v umetnosti;

Podatki

Jezik:	Slovenski jezik
Leto izida:	2021
Tipologija:	2.11 - Diplomsko delo
Organizacija:	UL PEF - Pedagoška fakulteta
Založnik:	[K. Tuta]
UDK:	7.038.6(043.2)
COBISS:	75293955
Št. ogledov:	137
Št. prenosov:	11
Ocena:	0 (0 glasov)
Metapodatki:

Ostali podatki

Sekundarni jezik:	Angleški jezik
Sekundarni naslov:	Natural pigments in painting
Sekundarni povzetek:	The aim of our research was to investigate the suitability of natural materials and their applicability in the production of painting paints; to make painting powder and binding with natural binders in order to achieve the least possible interference with artificial painting materials and thus make painting as ecological as possible. In the theoretical part we researched the history, the development of pigments. We were interested in the materials from which the pigments were produced, how they were processed and what shades they obtained. Of course, binders also have their own history and use. The historical overview dates back to the 20th century, when synthetic, artificial colors appeared. In the practical part, we tested ourselves in the production and processing of pigments and paints. We investigated the mixing ratios, suitability of pigments and binders. I presented my research to a sixth-grade student at an art workshop, where she learned about the process of making pigments, paints and painting with them.
Sekundarne ključne besede:	art;umetnost;
Vrsta datoteke:	application/pdf
Vrsta dela (COBISS):	Diplomsko delo/naloga
Komentar na gradivo:	Univ. v Ljubljani, Pedagoška fak., Likovna pedagogika
Strani:	41 str.
ID:	13320850