ǂan ǂarchaeology of the photographic ID document
Eszter Polónyi (Avtor)

Povzetek

n an era of total surveillance, being in possession of a biometric ID document can still result in denial of one’s basic civil protections and human rights. The discovery of systematic errors in state-implemented facial recognition programs—such as in recognizing faces of color (Joy Buolamwini)—suggests the failure of current practices of global intelligence and mobility. This paper offers an archaeological investigation of the contemporary photo ID document. Returning to its invention in the 1920s, it examines the issues of conjectural knowledge (Carl Ginzburg), embodiment or tact (Béla Balázs) and the optical unconscious (Walter Benjamin) behind early “physiognomic” media.

Ključne besede

history of photography;surveillance studies;digital humanities;art history;

Podatki

Jezik: Angleški jezik
Leto izida:
Tipologija: 3.15 - Prispevek na konferenci brez natisa
Organizacija: UNG - Univerza v Novi Gorici
UDK: 7
COBISS: 109764867 Povezava se bo odprla v novem oknu
Št. ogledov: 617
Št. prenosov: 0
Ocena: 0 (0 glasov)
Metapodatki: JSON JSON-RDF JSON-LD TURTLE N-TRIPLES XML RDFA MICRODATA DC-XML DC-RDF RDF

Ostali podatki

URN: URN:SI:UNG
Vrsta dela (COBISS): Delo ni kategorizirano
ID: 15493760
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