ǂthe ǂstruggle for freedom and autonomy at the Ljubljana 2020/2021 protests
Petja Grafenauer (Avtor), Daša Tepina (Avtor), Janez Zalaznik (Fotograf)

Povzetek

The aim of this article is to document, contextualise, and theorise the rebellious actions carried out by artists in Slovenia in 2020–2021, and to present these actions as a continuation of the avant-garde movements of the twentieth century. We focus on the diverse actions and protests carried out by a strong alliance of artists, anti-capitalists, anti-fascists, ecological movements, and other civil structures that continue to challenge the oppressive autocratic powers. When art becomes confrontational, it fights for its autonomy and its production can achieve an aesthetic revolutionary potential. So when it demands the impossible, it fights for its space and position and becomes life itself, it becomes avant-garde. We could therefore say that the politics of aesthetics has a way of producing its own politics, proposing to re-arrange politics, re-configure art as a political issue or assert itself as true politics.

Ključne besede

protesti;avtonomne cone;vizualna umetnost;protests;autonomous zones;visual art;

Podatki

Jezik: Angleški jezik
Leto izida:
Tipologija: 1.01 - Izvirni znanstveni članek
Organizacija: UL ALUO - Akademija za likovno umetnost in oblikovanje
UDK: 7.01:316.485.22
COBISS: 127341827 Povezava se bo odprla v novem oknu
ISSN: 1475-5297
Št. ogledov: 35
Št. prenosov: 13
Ocena: 0 (0 glasov)
Metapodatki: JSON JSON-RDF JSON-LD TURTLE N-TRIPLES XML RDFA MICRODATA DC-XML DC-RDF RDF

Ostali podatki

Sekundarni jezik: Slovenski jezik
Sekundarne ključne besede: protesti;avtonomne cone;vizualna umetnost;
Vrsta dela (COBISS): Članek v reviji
Strani: str. 409-428
Letnik: ǂVol. ǂ36
Zvezek: ǂiss. ǂ5
Čas izdaje: 2022
DOI: 10.1080/09528822.2022.2132025
ID: 17811001
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