Rastlinski motiv v slikarstvu

diplomsko delo

Mateja Pevnik (Avtor), Ludvik Pandur (Mentor)

Povzetek

Rastlinski motiv je bil skozi razvoj človeštva in njegovega ustvarjanja vseskozi prisoten, a zelo dolgo pomaknjen v ozadje. Pomemben prelom je bilo 17. stoletje v Evropi, ko je cvetno tihožitje postalo samostojen motiv. Rastlinstvo, ne samo rože pa je bilo vodilna inspiracija mojstrov art nouveauja. Od takrat naprej se je veliko umetnikov iz različnih likovnih smeri in stilov dotaknilo tega motiva, a le redki so se posvetili izključno njemu. Zelo individualno in kreativno interpretacijo rastlinskega sveta - predvsem cvetja, je proti koncu 19. in na začetku 20. stoletja podala ameriška slikarka Georgia O'Keeffe. Cvetje je močno povečevala in velikokrat je segalo preko robov slike. Motive je poenostavljala ter očiščevala tako dolgo, da so dela odražala srž - bistvo naslikane cvetlice. Inovativna je bila tudi perspektiva, ki jo lahko enačimo s perspektivo insekta. Tudi slovenski umetniki so slikali cvetje in v dela vpeljevali različne rastlinske motive. V diplomskem delu je podrobneje predstavljena mariborska slikarka Ida Brišnik Remec, ki je v letih 1960-1970 sooblikovala likovno ustvarjanje v Mariboru. Rastlinski motiv predstavlja pomemben del njenega slikarskega opusa in jo inspirira še danes.

Ključne besede

likovna umetnost;slikarstvo;tihožitja;rastlinski motivi;cvetje;diplomska dela;

Podatki

Jezik:	Slovenski jezik
Leto izida:	2011
Izvor:	Maribor
Tipologija:	2.11 - Diplomsko delo
Organizacija:	UM PEF - Pedagoška fakulteta
Založnik:	[M. Pevnik]
UDK:	73/76(043.2)
COBISS:	18924040
Št. ogledov:	2825
Št. prenosov:	177
Ocena:	0 (0 glasov)
Metapodatki:

Ostali podatki

Sekundarni jezik:	Angleški jezik
Sekundarni naslov:	FLORAL MOTIFS IN PAINTING
Sekundarni povzetek:	Plant motive was present throughout human development and creation, but it was in the background for a very long time. An important breakthrough was in the 17th century in Europe, when floral still life became independent motive. Plants, not only flowers, were the leading inspiration in modern style artists or masters of art nouveau. From then on a lot of artists from different artistic disciplines and styles touched this motive, but only few of them were dedicated exclusively to it. At the end of 19th century and in the beginning of 20th century American painter Georgia O'Keeffe gave a very individual and creative interpretation of plant kingdom - mostly flowers. She enlarged the flowers, so they often reached over the edges of the painting. She simplified and purified motifs so long that paintings reflected the heart, essence of painted flower. She was also innovative in the perspective, which can be identified with an Insect's perspective. Slovene artists as well painted flowers and incorporated different plant motifs in their works. This diploma paper also represents painter Ida Brišnik Remec from Maribor, who in 1960-1970 co-designed artistic creation in Maribor. Plant motive represents an important part of her painting opus and is inspiring her still.
Sekundarne ključne besede:	Still life;plant motive;floral motive;Georgia O’Keeffe;Ida Brišnik Remec.;
URN:	URN:SI:UM:
Vrsta dela (COBISS):	Diplomsko delo
Komentar na gradivo:	Univ. v Mariboru, Pedagoška fak., Oddelek za likovno umetnost
Strani:	114 f.
Ključne besede (UDK):	the arts;recreation;entertainment;sport;umetnost;razvedrilo;zabava;šport;plastic arts;likovna umetnost (kiparstvo in umetna obrt);
ID:	19766