Sekundarni jezik: |
Angleški jezik |
Sekundarni naslov: |
Graphics throughout the four seasons of the year: some graphic techniques of gravure printing |
Sekundarni povzetek: |
The invention of printing announced a real revolution a few centuries ago, but today we are almost not aware of its true meaning anymore. In opposition to industrial graphics, the artistic graphics is being put forward more increasingly nowadays. Only a handful of people are engaged in artistic graphics, but a wide range of hand-engraving and matrix imprinting experts are really valuing it.
In my thesis I briefly introduce the artistic graphics development turning points and I graphically present the difference between printing methods but throughout the thesis I am mostly focused on a thorough presentation of three graphic techniques – dry-point, etching and reservage. With every each of them firstly I accurately explain the printing procedure and then I consider suitability of the materials for the making of matrix, ink and printing paper. I add an acknowledged author’s work of art and a few of my personal works to each of the graphic techniques. I use these works of art in order to determine each graphic technique’s characteristics. The second part of the thesis involves a pedagogical and research part – according to the educational preparation I executed 6 lessons with ninth-graders, who had to make a graphic journal in the dry-point graphic technique. The works that were made are extremely interesting for further analysis. |
Sekundarne ključne besede: |
graphic arts;grafika; |
Vrsta datoteke: |
application/pdf |
Vrsta dela (COBISS): |
Diplomsko delo |
Komentar na gradivo: |
Univ. Ljubljana, Pedagoška fak., Likovna pedagogika |
Strani: |
X, 61 f. |
Vrsta dela (ePrints): |
thesis |
Naslov (ePrints): |
Graphics throughout the four seasons of the year: some graphic techniques of gravure printing
|
Ključne besede (ePrints): |
tisk |
Ključne besede (ePrints, sekundarni jezik): |
printing |
Povzetek (ePrints): |
Izum tiska je pred stoletji naznanil pravo revolucijo, vendar se njegovega pomena danes skoraj ne zavedamo več. V nasprotju z industrijsko pa se vse bolj uveljavlja umetniška grafika. Z njo se ukvarja peščica ljudi, ceni pa jo širši krog poznavalcev ročnega vrezovanja in odtiskovanja matrice.
V svojem diplomskem delu na kratko predstavljam prelomnice razvoja umetniške grafike, grafično prikazujem razliko med načini tiska, v nadaljevanju pa največ časa namenim podrobni predstavitvi treh grafičnih tehnik – suhi igli, jedkanici in rezervažu. Pri vsaki najprej natančno pojasnim postopek tiska, ukvarjam se s primernostjo materialov za izdelavo matrice, barve in papirja za odtiskovanje. Vsaki grafični tehniki dodam še umetniško delo priznanega avtorja in nekaj lastnih del, s pomočjo katerih določam lastnosti posamezne grafične tehnike. Drugi del diplomskega dela vsebuje pedagoško-raziskovalni del – po učni pripravi sem izvedla 6 šolskih ur pri devetošolcih, ki so morali izdelati grafični list v grafični tehniki suha igla. Nastala dela so izjemno zanimiva za analizo. |
Povzetek (ePrints, sekundarni jezik): |
The invention of printing announced a real revolution a few centuries ago, but today we are almost not aware of its true meaning anymore. In opposition to industrial graphics, the artistic graphics is being put forward more increasingly nowadays. Only a handful of people are engaged in artistic graphics, but a wide range of hand-engraving and matrix imprinting experts are really valuing it.
In my thesis I briefly introduce the artistic graphics development turning points and I graphically present the difference between printing methods but throughout the thesis I am mostly focused on a thorough presentation of three graphic techniques – dry-point, etching and reservage. With every each of them firstly I accurately explain the printing procedure and then I consider suitability of the materials for the making of matrix, ink and printing paper. I add an acknowledged author’s work of art and a few of my personal works to each of the graphic techniques. I use these works of art in order to determine each graphic technique’s characteristics. The second part of the thesis involves a pedagogical and research part – according to the educational preparation I executed 6 lessons with ninth-graders, who had to make a graphic journal in the dry-point graphic technique. The works that were made are extremely interesting for further analysis. |
Ključne besede (ePrints, sekundarni jezik): |
printing |
ID: |
8308770 |