likovni pogled na brezdomstvo
Povzetek
Diplomsko delo predstavi portretno avtorsko risbo, povezano s sodobnim življenjem, ki se v izhodišču nanaša na likovno ustvarjalnost nemške umetnice Käthe Kollwitz (1867–1945). V prvem delu sta tako predstavljena njeno življenje in delo, in sicer s poudarkom na socialni tematiki v njenem opusu: njen čut za socialno pravičnost, odprtost do sočloveka in zavezanost poslanstvu, da v likovni govorici upodobi stisko in trpljenje takratnega človeka ter se na to problematiko družbenokritično odzove.
V drugem delu najprej predstavim svoj pogled na tematiko brezdomstva: navežem se na sodelovanje z Oddelkom za socialno pedagogiko in z brezdomnimi, pri čemer osvetlim področje sobivanja. Ob predstavitvi programa in društva Kralji ulice, v okviru katerega sem vzpostavila povezovalni projekt, predstavim istoimenski časopis. Sledita opis in predstavitev mojega sodelovanja z omenjeno organizacijo: vzpostavitev nove, likovne rubrike v mesečniku Kralji ulice, objavljanje prispevkov v njej in vodenje likovnih delavnice ter projekta Jaz kot arhitektura.
Diplomsko delo zaokroži predstavitev avtorskega likovnega dela, ki je razdeljeno na tri ustvarjalne serije (talne postavitve, portrete in avtoportrete) in poleg opredelitve motivike ter idejne perspektive izpostavi tudi izbiro in značaj posameznih risarskih tehnik oziroma materialov.
Ključne besede
brezdomci;brezdomstvo;Kralji ulice;Käthe Kollwitz;socialna neenakost;risba;
Podatki
Jezik: |
Slovenski jezik |
Leto izida: |
2016 |
Tipologija: |
2.11 - Diplomsko delo |
Organizacija: |
UL PEF - Pedagoška fakulteta |
Založnik: |
[A. Bukovec] |
UDK: |
74:364.682.42(043.2) |
COBISS: |
11125833
|
Št. ogledov: |
781 |
Št. prenosov: |
150 |
Ocena: |
0 (0 glasov) |
Metapodatki: |
|
Ostali podatki
Sekundarni jezik: |
Angleški jezik |
Sekundarni naslov: |
Kings of the street |
Sekundarni povzetek: |
The thesis presents a copyrighted portrait drawing associated with modern life, which in substance pertains to the artistic creativity of the German artist Käthe Kollwitz (1867–1945). In the first part of the thesis her life and work are presented, with a focus on social issues in her oeuvre: her sense of social justice, openness to other people and commitment to the mission of depicting distress and suffering of humankind of her time in the language of art and taking a socio-critical perspective to the matter.
In the second part I first present my views on the topic of homelessness, with reference to cooperation with the Department of Social Pedagogy and the homeless, highlighting the area of cohabitation. The presentation of the programme and society Kralji ulice (‘Kings of the Street’), in the framework of which I have established an integration project, is coupled with the introduction of the eponymous newspaper. Further on, my cooperation with the mentioned organisation is described and presented: the creation of a new art section in the monthly Kralji ulice, the publishing of articles in it, and conducting art workshops and the project titled "Me as architecture".
The diploma thesis ends with a presentation of the copyrighted work of fine art, which is divided into three creative series (floor layouts, portraits and self-portraits), and, in addition to the definition of motifs and conceptual perspective, also highlights the choice and character of the individual drawing techniques or materials. |
Sekundarne ključne besede: |
socially handicapped;drawing;socialno prizadeti;risanje; |
Vrsta datoteke: |
application/pdf |
Vrsta dela (COBISS): |
Diplomsko delo/naloga |
Komentar na gradivo: |
Univ. v Ljubljani, Pedagoška fak., Likovna pedagogika |
Strani: |
39 str., [7] str. pril. |
ID: |
9165585 |