Vloga risbe v akvarelni tehniki

diplomsko delo

Vesna Ferjančič (Avtor), Beatriz Tomšič-Čerkez (Mentor)

Povzetek

V diplomskem delu raziskujem odnos med risbo in barvo v akvarelni tehniki. V prvem poglavju teoretičnega dela sem se posvetila risbi. Risba nas obkroža vsepovsod – v prvih otroških potezah svinčnika po praznem listu papirja, v risanju s prstom po mivki, v arhitektovi skicirki in biologovih zapiskih. Kljub temu, da velja za temelj vseh umetnosti in osnovno sredstvo komuniciranja, se je njena vloga skozi različna zgodovinska obdobja spreminjala. Pred opisom razvoja risbe v samostojno stroko, sem raziskala njen namen in funkcije ter opredelila linijo in točko, ki sta njena osnovna likovna elementa. V drugem poglavju me je zanimal razvoj akvarela, ki v zadnjem času ponovno pridobiva na priljubljenosti. V delih znanih slikarjev, ki so našli svoj izraz tudi v tej vznemirljivi tehniki, sem predstavila uporabo akvarela na temo krajine. Z laviranjem risbe in dodajanjem barve so se slikarji ukvarjali že od srednjega veka naprej, zato sem se v tretjem poglavju posvetila sintezi linije z akvarelom. Nato sem opisala materiale in metode, ki so potrebne za izvedbo ter dober izdelek akvarelne tehnike. V praktičnem delu sem predstavila avtorska dela v akvarelni tehniki v kombinaciji s črto. Pedagoški del vsebuje učno pripravo in analizo izdelkov, nastalih v likovni delavnici.

Ključne besede

linija;krajina;

Podatki

Jezik:	Slovenski jezik
Leto izida:	2016
Tipologija:	2.11 - Diplomsko delo
Organizacija:	UL PEF - Pedagoška fakulteta
Založnik:	[V. Ferjančič]
UDK:	74(043.2)
COBISS:	11141193
Št. ogledov:	1255
Št. prenosov:	146
Ocena:	0 (0 glasov)
Metapodatki:

Ostali podatki

Sekundarni jezik:	Angleški jezik
Sekundarni naslov:	The role of drawing in watercolour technique
Sekundarni povzetek:	The diploma thesis deals with the relationship between a drawing and colour in the watercolour technique. The first chapter of the theoretical part is dedicated to a drawing. It surrounds us everywhere – from the first child's lines by a pencil across an empty sheet of paper and drawing with a finger in the sand to an architect's sketches and a biologist's notes. Despite being considered the basis of all fine arts and the fundamental means of communication, its role has changed throughout history. The description of the development of a drawing into an individual field is preceded by the research into its aim and functions as well as by the definition of a line and a point as its basic art elements. The second chapter focuses on the development of watercolour, which has recently been gaining in popularity. Works by famous painters who found their expression also in this exciting technique have been used to present the use of watercolour in painting landscapes. Painters started using wash drawings and adding colours as early as in the Middle Ages, therefore the third chapter of this diploma thesis is dedicated to the synthesis of a line and the watercolour. It continues with the description of materials and methods used in creating a good watercolour. The empirical part presents artistic works combining watercolour and a line. The pedagogical part consists of a lesson preparation as well as the analysis of works created in an art workshop,
Sekundarne ključne besede:	drawing;painting;risanje;slikarstvo;
Vrsta datoteke:	application/pdf
Vrsta dela (COBISS):	Diplomsko delo
Komentar na gradivo:	Univ. Ljubljana, Pedagoška fak., Likovna pedagogika
Strani:	81 f.
ID:	9166547