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Št. zadetkov: 122
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Oznake:
The author first sketches some of the problems inherent to Cartesian perspectivalism, following certain arguments offered by N. Bryson. While agreeing with Bryson’s critique of the »Essential Copy«, he nonetheless argues that at least a part of modern European art contains similar features to those ...
Leto: 2016 Vir: ZRC SAZU
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Leto: 2016 Vir: ZRC SAZU
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Today we are witnessing an enormous reconfiguration of the humanities, which is an essential feature of the present postmodern global condition. Within such a framework new conceptual tools and frameworks have to be established to theoretically grasp the extant social reality and human knowledge. Ae ...
Leto: 2016 Vir: ZRC SAZU
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Oznake: art; culture; interpretation; location
Different cases of relocation and hybridization in art and culture (G. Bateson and M. Mead in Bali, the reception of contemporary slovenian art in india, Brazilian modernist art, Japanese orientalism in taiwan, and east european perception of western artists) are taken as the starting point of the ...
Leto: 2016 Vir: ZRC SAZU
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Oznake: art; politics; history; avant-garde
The author explores the relationship between art and politics from a historical perspective. His starting point is the appearance of the notion of the artistic avant-garde in the 1820s. He argues that the political role of art emerged together with the emergence of the modern state, and especially i ...
Leto: 2016 Vir: ZRC SAZU
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Oznake:
The contribution starts from the opening sentence of The Communist Manifesto. The author defends the opinion that communism is really a metaphor for all that is socially positive, and that, because the phrase, »the spectre of communism«, is a literary metaphor, it has retained its poetic value to th ...
Leto: 2016 Vir: ZRC SAZU
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Oznake:
The immediate reason for choosing the theme of this international issueof Filozofski vestnik was the forthcoming XVII International Congress ofAesthetics (Ankara, July 2007). The other motive was to discern some of theissues in contemporary aesthetics.
Leto: 2007 Vir: ZRC SAZU
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In his article the author presents different interpretations of the difference and of the passage from modernity to postmodernity and from modernism to postmodernism. He presents the theories of Charles Jencks, Jean-François Lyotard, Jürgen Habermas and some others. In his opinion the majority of th ...
Leto: 2016 Vir: ZRC SAZU
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Oznake:
The author analyzes the concept of the sublime as it has been used by Lyotard who bases it in Kant and Burke. Lyotard uses the concept for characterization of avant-garde art after the second world war which, in his view, best exemplifies the modern (and modernist) art. In the second art of the arti ...
Leto: 2016 Vir: ZRC SAZU
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Leto: 2016 Vir: ZRC SAZU
Št. zadetkov: 122
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