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Št. zadetkov: 4
Didone by Cavalli and Busenello: from the sources to modern productions
Dinko Fabris
Izvirni znanstveni članek
Oznake: Francesco Cavalli;Pierfrancesco Busenello;Didone;Venetian opera;Naples
Didone was the second significant operatic project carried out by the librettist Busenello and the composer Cavalli. However, its importance has until recently been underestimated. One of several misunderstandings is that the only extant score has erroneously been considered to be related to the Ven ...
Leto: 2015 Vir: ZRC SAZU
“Espone le cose sue partite a tutti per indurli alla meraviglia dell’arte sua”: considerazioni sulle partiture di musica polifonica in Italia fino all’edizione Molinaro dei madrigali di Gesualdo (1613)
Dinko Fabris
Izvirni znanstveni članek
Oznake: score;Gesualdo;Molinaro;notation;lute tablature;Italy;early seventeenth century
The article summarizes the state of research on early Italian scores up to 1615, developing the hypothesis of a specific connection between two eminent lutenists, Carlo Gesualdo and Simone Molinaro. The latter published in 1613 in score the six books of Gesualdo’s Madrigals and two years later his o ...
Leto: 2018 Vir: ZRC SAZU
Didone by Cavalli and Busenello: from the sources to modern productions
Dinko; Università degli Studi della Basilicata Fabris
Ni določena
Oznake: Francesco Cavalli; Pierfrancesco Busenello; Didone; Venetian opera; Naples
Didone was the second significant operatic project carried out by the librettist Busenello and the composer Cavalli. However, its importance has until recently been underestimated. One of several misunderstandings is that the only extant score has erroneously been considered to be related to the Ven ...
Leto: 2015 Vir: ZRC SAZU
“Espone le cose sue partite a tutti per indurli alla meraviglia dell’arte sua”: considerazioni sulle partiture di musica polifonica in Italia fino all’edizione Molinaro dei madrigali di Gesualdo (1613)
Dinko; Università degli Studi della Basilicata Fabris
Ni določena
Oznake: score; Gesualdo; Molinaro; notation; lute tablature; Italy; early seventeenth century
The article summarizes the state of research on early Italian scores up to 1615, developing the hypothesis of a specific connection between two eminent lutenists, Carlo Gesualdo and Simone Molinaro. The latter published in 1613 in score the six books of Gesualdo’s Madrigals and two years later his o ...
Leto: 2018 Vir: ZRC SAZU
Št. zadetkov: 4
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