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RETURNING THE GAZE: THE AMERICAN RESPONSE TO THE CRITIQUE OF OCULARCENTRISM IN FRENCH THOUGHT

Martin Jay

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The widespread suspicion of the domination of vision in modern culture expressed by many French intellectuals this century has influenced the practice and self-understanding of recent American art. By tracing the impact of such thinkers as Bataille, Foucault and Derrida and artists like Duchamp, thi ...

Leto: 2016 Vir: ZRC SAZU

Drifting into Dangerous Waters: The Separation of Aesthetic Experience from the Work o Art

Martin Jay

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The elevation of aesthetic experience in the Enlightenment, most extensively developed in Kant's analysis of disinterested contemplation, to compensate for the loss of putatively objective standards of beauty had several problematic implications. One was the privileging of the subject who had the ex ...

Leto: 2016 Vir: ZRC SAZU

Downcast Eyes (Marina Gržinić Mauhler)

Martin Jay

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Leto: 2016 Vir: ZRC SAZU

Must Justice Be Blind? The Challenge of Images to the Law

Martin Jay

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The blindfolding of the allegorical goddess of Justice in the early modern period has been generally understood as a mark of the new stress on judicial impartiality, which led to the modern cult of the abstract norm in juridical positivism. This paper asks the question, what were the costs of denyin ...

Leto: 2016 Vir: ZRC SAZU

Force Fields (Marina Gržinić-Mauhler)

Martin Jay

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Leto: 2016 Vir: ZRC SAZU

»Estetska ideologija« kot ideologija ali kaj pomeni estetizirati politiko?

Martin Jay

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