Št. zadetkov: 40
Samostojni znanstveni sestavek ali poglavje v monografski publikaciji
Oznake:
slovenska književnost;slovenska dramatika;slovenski dramatiki;medbesedilnost;medmedijskost;(ne več) dramsko besedilo;performativnost;rizomatičnost;
Prispevek na podlagi teorij teksta kot rizoma (Deleuze, Guattari), teksta kot tkanja citatov (Barthes), performativnega obrata (Fischer Lichte) analizira štiri besedilne korpuse, (ne več) dramska besedila sodobnih dramatikov in gledališčnikov: Dušana Jovanovića, Drage Potočnjak, Simone Semenič in Ja ...
Leto:
2010
Vir:
Fakulteta za humanistične študije (UP FHŠ)
Recenzija, prikaz knjige, kritika
Oznake:
filozofija umetnosti;globalizacija;zahodna civilizacija;ocene in poročila;Erjavec, Aleš: Postmodernism, postsocialism and beyond;
Leto:
2009
Vir:
dLib.si Digitalna knjižnica Slovenije
Izvirni znanstveni članek
Oznake:
slovenska književnost;slovenska dramatika;drama absurda;performativ;absurdna dramatika;performans;performativna kultura;Božič;Peter;1935-2004;Jovanović;Dušan;1939-;Jesih;Milan;1950-;Šeligo;Rudi;1932-2009;
V raznolikih poskusih zgodovinjenja slovenske sodobne drame nesporno ostaja ob strani ena izmed pomembnih lastnosti slvoenske absurdne drame, namreč njenpomen pri dekonstrukciji t. i. literarnega oziroma dramskega gledališča ter udejanjitvi performativnega obrata (Fischer-Lichte) na prelomu iz šestd ...
Leto:
2011
Vir:
Fakulteta za humanistične študije (UP FHŠ)
Ni določena
Oznake:
theory of drama; dramatic text; post-dramatic theatre; Jelinek, Elfriede; Müller, Heiner
This article examines how the concept of drama has been used in the last three decades, its concept, and the end of history. In a dialogue with the theories of Gerda Poschmann and Hans-Thies Lehmann, it outlines a map of the (no longer dramatic) text for theater and post-dramatic theatre in recent d ...
Leto:
2017
Vir:
ZRC SAZU
Ni določena
Oznake:
Slovenian literature; early avant-garde; futurism; constructivism; zenitism; literary influences; Delak, Ferdo; Černigoj, Avgust; Kosovel, Srečko; Pocarini, Sofronio; Carmelich, Giorgio; Stepančič, Edvard; Tank; Novi oder; Der Sturm; Bauhaus
The Slovenian avant-garde movements of the first three decades of the twentieth century can be clearly linked to Italian Futurism. All three waves of the Slovenian historical avant-garde were familiar with Futurist activities from their very beginnings. The third wave of the Slovenian avant-garde, r ...
Leto:
2017
Vir:
ZRC SAZU
Ni določena
Oznake:
semiotics; performative arts; post-dramatic theatre; (post-)dramatic text; media arts; arts live
This paper discusses the transformation of semiotic approaches to drama and performance practice and theory, two closely related fields, that both underwent major changes following the performative turn during the 1960s. It also examines which strategies of representation and theorization proved to ...
Leto:
2017
Vir:
ZRC SAZU
Ni določena
Oznake:
theatre; aesthetics; essay on stage; performativity; singularity; feedback loop
This article takes a closer look at the phenomena of the “theatrical essay” or “essay on stage” as an example of a dynamic tour de force of singularity and plurality (Jean-Luc Nancy) and the performative autopoietic feedback loop (Erica Fischer-Lichte) between actors and spectators. It applies the c ...
Leto:
2017
Vir:
ZRC SAZU
Ni določena
Oznake:
art and society; German literature; Sebald, Winfried Georg; contemporary theatre; Frljić, Oliver; politics of stage; politics of fiction; Slovene theatre; altermodernism; glocal society
For the purposes of our examination of how literature and art take part in the circulation of significations and representations in the construction of social reality, the essay uses two examples. The first is the novels by Winfried Georg Sebald, with his wanderings between “signs”, punctuated by bl ...
Leto:
2019
Vir:
ZRC SAZU
Izvirni znanstveni članek
Oznake:
criticism, art, inaesthetics, deconstructive criticism, emancipated critic
Our essay starts with the famous quotation from Oscar Wilde’s dialogue The Critic as Artist: “Criticism is itself an art.” We will link this seductive idea with two contemporary philosophers: Jacques Derrida and Alain Badiou. Derrida asserts that there is not one single intrinsic meaning to be found ...
Leto:
2019
Vir:
ZRC SAZU
Samostojni znanstveni sestavek ali poglavje v monografski publikaciji
Oznake:
gledališče;dramatika;postdramsko;performativna kultura;mediatizirana kultura;
Slovenska sodobna drama in gledališče sta bila v dvajsetem stoletju priči številnih premen in nevarnih medsebojnih razmerij kot tudi še nevarnejših razmerij do politike. Prispevek raziskuje te dinamične procese skozi zaris dekonstrukcije t. i. literarnega oziroma dramskega gledališča ter uveljavitve ...
Leto:
2012
Vir:
Akademija za gledališče, radio, film in televizijo (UL AGRFT)