Vidiki nezavednega v nadrealizmu in moji lastni ustvarjalni praksi

magistrsko delo

Tina Gregorec (Author), Mojca Puncer (Mentor), Oto Rimele (Co-mentor)

Abstract

Magistrsko delo z naslovom Vidiki nezavednega v nadrealizmu in moji lastni ustvarjalni praksi sestavljata teoretični in praktični del. V teoretičnem delu sem raziskala prepletanje idej nadrealističnega gibanja z dognanji psihoanalize, ki se je z novimi spoznanji Sigmunda Freuda pojavila ravno v tistem času in pri članih gibanja vzbudila veliko zanimanja. Freudova teorija nezavednega ni vplivala le na drugačno vizijo umetnikov, temveč je ključno vplivala tudi na njihov ustvarjalni proces ter samo vsebino del. Z uporabo različnih metod in tehnik so se nadrealisti skušali približati lastnemu nezavednemu svetu, spoznanja pa so izrazili v svoji umetniški produkciji. Psihoanalitik Jacques Lacan je Freudovo teorijo nezavednega natančno preučil in nadgradil: med drugim je prišel do pomembnega spoznanja, da je nezavedno strukturirano kot govorica. V praktičnem delu magistrskega dela sem se osredotočila na raziskovanje vidikov nezavednega v lastnem ustvarjalnem delu. Poslužila sem se abstraktne tehnike, ki sem ji dodajala elemente s pomočjo kolaža, saj mi je ta omogočil izdelavo likovnega dela, pri katerem je razum v najmanjši meri narekoval snovanje končne podobe.

Keywords

magistrska dela;nadrealizem;psihoanaliza;sanje;interpretacija;likovna umetnost;

Data

Language:	Slovenian
Year of publishing:	2021
Typology:	2.09 - Master's Thesis
Organization:	UM PEF - Faculty of Education
Publisher:	[T. Gregorec]
UDC:	7.037.5:159.964.2(043.2)
COBISS:	50851843
Views:	727
Downloads:	163
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Aspects of Unconscious in the Period of Surrealism and in my Own Creative Practice
Secondary abstract:	The master's thesis Aspects of Unconscious in the Period of Surrealism and in my Own Creative Practice consists of a theoretical and a practical part. In the theoretical part, I explored the intertwining of the ideas of the surrealist movement with the findings of psychoanalysis, which emerged with the new findings of Sigmund Freud at that time and aroused much interest among members of the movement. Freud's theory of the unconscious not only influenced the different vision of the artists, but also had a key influence on their creative process and the content of the works themselves. By using various methods and techniques, the Surrealists tried to get closer to their own unconscious world, and they expressed their findings in their artistic production. Psychoanalyst Jacques Lacan carefully studied and upgraded Freud's theory of the unconscious: among other things, he came to one important finding: the unconscious is structured as speech. In the practical part of the master's thesis, I focused on exploring aspects of the unconscious in my own creative work. I used an abstract technique, to which I added elements of a collage, as this enabled me to create a work of art where the reason dictated the design of the final image to the smallest extent.
Secondary keywords:	master theses;surrealism;psychoanalysis;dreams;unconscious;interpretation;fine art;Univerzitetna in visokošolska dela;
Type (COBISS):	Master's thesis/paper
Thesis comment:	Univ. v Mariboru, Pedagoška fak., Oddelek za likovno umetnost
Pages:	IX, 97 str.
ID:	12269814