diplomsko delo
Laura Žavbi (Author), Milica G. Antić (Mentor)

Abstract

Slovenska narodnozabavna glasba se je skozi leta spreminjala. Z njenim razvojem pa se je zgodil preobrat, ki je pomembno vplival na sporočilnost te zvrst. Produkcija za množice, ki nemalokrat pri svojih produktih vpliva na njihovo kvaliteto, je narodnozabavno glasbo potisnila v območje, kjer se je znižala njena raven sporočilnosti in zvišala popularnost. Na ta račun se je v njenih besedilih začel pojavljati seksistični jezik, in sicer z izgovorom, da avtorjem več pomeni, da je glasba zabavna kot pa kvalitetna z vidika rabe jezika.

Keywords

slovenska narodno-zabavna glasba;seksizem;jezik;spolna neenakost;

Data

Language: Slovenian
Year of publishing:
Typology: 2.11 - Undergraduate Thesis
Organization: UL FF - Faculty of Arts
Publisher: [L. Žavbi]
UDC: 305:784.69(043.2)
COBISS: 123324675 Link will open in a new window
Views: 77
Downloads: 23
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Other data

Secondary language: English
Secondary title: Reproduction of gender inequalities in the example of Slovenian folk music
Secondary abstract: Slovenian folk music has been through changes in its history, but only one change happened that majorly influenced its message distribution. Mass-production that effects its products' quantity pushed Slovenian folk music to a zone where the quality decreased and the popularity increased. The side effect of this change happened in lyrics of the songs that started to involve sexist language. Excuse used for this was that the authors wanted for this genre to be fun and popular more than of quality.
Secondary keywords: slovenian folk music;sexism;language;gender inequaliry;
Type (COBISS): Bachelor thesis/paper
Study programme: 1000575
Embargo end date (OpenAIRE): 1970-01-01
Thesis comment: Univ. v Ljubljani, Filozofska fak., Oddelek za sociologijo
Pages: 22 f.
ID: 15924466
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