Motiv štirih letnih časov na starokrščanskih sarkofagih

zaključna seminarska naloga

Martin Avguštin (Author), Nataša Kavčič (Mentor)

Abstract

Motiv letnih časov ni imel izrazitega mitološkega značaja in tudi ne točno določenega pomena znotraj antične rimske umetnosti. Zaradi tega je bil sprejemljiv in privlačen za starokrščansko umetnost, ki je iskala tovrstne nevtralne motive, ki niso imeli bogatega mitološkega ozadja in katerih pomen je bil lahko na novo opredeljen. Starokrščanska umetnost ga je tako z rahlimi spremembami vključila v svoj pripovedni svet. Motiv je uporabila v različnih zvrsteh likovne umetnosti, zlasti pa v okviru kiparstva in slikarstva. Pri starokrščanskem kiparstvu so bili starokrščanski sarkofagi eni izmed pomembnih nosilcev, pri katerih se je uveljavila uporaba motiva letnih časov. Ta uporaba motiva letnih časov na starokrščanskih sarkofagih je črpala in se zgledovala po rimski tradiciji uporabe motiva letnih časov na sarkofagih. Tako lahko v kontekstu razvoja sarkofagov z motivom letnih časov oziroma na sarkofagih tipa letnih časov opazujemo prenos motiva letnih časov iz rimske umetnosti v starokrščansko umetnost.

Keywords

umetnostna zgodovina;starokrščanska umetnost;rimska umetnost;sarkofagi;letni časi;

Data

Language:	Slovenian
Year of publishing:	2022
Typology:	2.11 - Undergraduate Thesis
Organization:	UL FF - Faculty of Arts
Publisher:	[M. Avguštin]
UDC:	726.829.033.1:591.543.4(043.2)
COBISS:	133689603
Views:	22
Downloads:	9
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	The motif of the four seasons on early Christian sarcophagi
Secondary abstract:	The motif of the seasons did not have a distinct mythological character, nor did it have a definite meaning within ancient Roman art. This made it acceptable and appealing to early Christian art, which sought such neutral motifs that lacked a rich mythological background and whose meaning could be redefined. Early Christian art thus incorporated it into its narrative world with slight changes. Within the early christian art the motif was used in various types of fine art, especially in sculpture and painting. In early Christian sculpture, early Christian sarcophagi were one of the important carriers in which the use of the motif of the seasons was established. This use of the motif of the seasons on early Christian sarcophagi drew on and was modeled on the Roman tradition of using the motif of the seasons on sarcophagi. Thus, in the context of the development of sarcophagi with a seasonal motif or on sarcophagi of the seasons type, we can observe the transfer of the seasons motif from Roman art to early Christian art.
Secondary keywords:	art history;early Christian art;Roman art;sarcophagi;seasons;
Type (COBISS):	Bachelor thesis/paper
Study programme:	1011027
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univ. v Ljubljani, Filozofska fak., Oddelek za umetnostno zgodovino
Pages:	48 f.
ID:	17111287