Subjekt v kratki prozi Andreja Blatnika

Anita Laznik (Author), Miran Štuhec (Author)

Abstract

Subjekt se v Blatnikovih zbirkah Šopki za Adama venijo, Biografije brezimenih, Menjave kož in Zakon želje razvija v smeri od razmišljajočega preko otopelega subjekta v zbirki Menjave kož do subjekta pogovarjanja v zadnji zbirki. Pričujoče besedilo umešča Blatnikov postmodernistični subjekt v postmoderno kulturo, ki jo zaznamuje hkraten obstoj večjega števila resnic. V zadnjem času se je sicer pojavilo več izrazov, ki ozmačujejo postmodernistični subjekt, sam razvoj pojmovanja subjekta pa lahko spremljamo od antičnih grških mislecev naprej. Alternativna psihologija 20. stoletja je v pojmovanje postmodernega subjekta vnesla nove interpretacije. Meadov komnetator hipnih dogodkov, Foucaultov avtorefleksivni subjekt, Derridajeva paranoidna konstrukcija in Rortyjev liberalni kronist - vse to je postmodernistični subjekt. Tako, vendar z nekaterimi zadržki, lahko imenujemo tudi Blatnikov subjekt, ki išče besedo, da bi izrazil resnico in se znašel v hitro minljivi, kaotični postmoderni dobi.

Keywords

slovenska književnost;proza;kratka proza;subjekt;literarna zgodovina;

Data

Language:	Slovenian
Year of publishing:	2003
Typology:	1.01 - Original Scientific Article
Organization:	UM PEF - Faculty of Education
Publisher:	Slavistično društvo Slovenije
UDC:	821.163.6.09 Blatnik A.
COBISS:	12565768
ISSN:	0021-6933
Parent publication:	Jezik in slovstvo
Views:	549
Downloads:	47
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	ǂThe ǂsubject in Andrej Blatnik's short prose
Secondary abstract:	In Blatnik's collections Šopki za Adama venijo (Bouquets for Adam are wilting), Biografije brezimenih (Biographies of those with no name), Menjave kož (Changing skins) and Zakon želje (The law of desire), the subject develops from the thinking subject, to the apathetic subject in Menjave Kože (Changing skins), to the subject of talking in his last collection. The present paper places Blatnik's postmodern subject into postmodern culture, which is marked by the simultaneous existence of a greater number of truths. Lately, there have been several expressions marking the postmodern subject; the development of the concept of the subject itself can be traced from the Ancient Greek philosophers on. The alternative psychology of 20th century introduces new interpretions of the concept of the subject. Mead's comentary of momentary events, Foucault's auto-reflexive subject, Derrida's paranoid construction and Rorty's liberal man of irony - they all constitute the postmodern subject. We can also use the same term, although with a few reservations, for Blatnik's subject, which is looking for the word to express the truth and trying to find his way in the feeting, chaotic postmodern period.
URN:	URN:NBN:SI
Type (COBISS):	Not categorized
Pages:	str. 37-51
Volume:	ǂLetn. ǂ48
Issue:	ǂšt. ǂ2
Chronology:	mar.-apr. 2003
ID:	1746136