Kognitivni pristop k oblikovanju odrskega govora

(Ivo Prijatelj: Totenbirt)

Abstract

Prispevek ponuja smernice za oblikovanje (pogovornega) jezika v sodobnem dramskem gledališču. Na podlagi slušnega vtisa odrskega govora v uprizoritvi Totenbirt Iva Prijatelja odgovarja na vprašanje, kako z vidika sodobne jezikovne zavesti oblikovati odrski govor ter pri tem zadostiti gledališki estetiki in vzbuditi gledalčev užitek. Predlagan je interdisciplinarni pristop, temelječ na spoznanjih kognitivnega jezikoslovja in vlogi (uprizoritvenega) dramaturga.

Keywords

slovenska književnost;slovenska dramatika;odrski govor;pogovorni jezik;dramsko gledališče;kognitivno jezikoslovje;dramaturg;uprizoritveni dramaturg;Prijatelj;Ivo;1954-;"Totenbirt";

Data

Language:	Slovenian
Year of publishing:	2014
Typology:	1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:	UL FF - Faculty of Arts
UDC:	792.027:808.55:81'276
COBISS:	56801378
Views:	7
Downloads:	0
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary abstract:	This paper offers guidelines for the shaping of the (spoken) language in contemporary dramatic theatre. Based on the auditory imprint from the performance of Ivo Prijatelj's Totenbirt, it answers the question of how to create stage speech from the perspective of contemporary linguistic awareness, and how to satisfy linguistic aesthetics, as well as invoke the viewer's enjoyment. The paper promotes an interdisciplinary approach, formulated upon the findings of cognitive linguistics and the role of the (performative) dramaturge.
Secondary keywords:	Slovene literature;Slovene drama;stage speech;spoken language;dramatic theatre;cognitive linguistics;dramaturgue;performative dramaturgue;
Type (COBISS):	Article
Pages:	Str. 537-544
ID:	19495865