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odprto delo - tekst kot dogodek

Abstract

Pričujoči prispevek uprizarja srečanje med primerkom sodobne, ne-več-dramske pisave za gledališče (Še me dej Simone Semenič) in konceptom odprtega dela, kakor ga je utemeljil Umberto Eco in kakor sta ga razvili Bojana Cvejić in Ana Vujanović v številki revije Maska, posvečeni tej temi. Namen srečanja je konceptualizacija razpiranja teksta dogodkovnosti izvedbe in posledično aktivni recepciji gledalcev ter razpiranja protokolov produkcije in recepcije gledališkega dispozitiva. Obenem je s tem izveden tudi premik teoretskega interesa od semiotike (reprezentirani pomeni) k pragmatiki (proizvedeni učinki).

Keywords

gledališče;sodobna dramatika;odpto delo;dogodkovnost;pragmatika;politika estetike;hiperprodukcija;ne-več-dramski gledališki tekst;Semenič;Simona;1975-;"Še me dej";

Data

Language:	Slovenian
Year of publishing:	2012
Typology:	1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:	UL FF - Faculty of Arts
UDC:	82-258:792.25
COBISS:	50880610
Views:	4
Downloads:	0
Average score:	0 (0 votes)
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Other data

Secondary language:	English
Secondary abstract:	This contribution juxtaposes an example of contemporary, non-dramatic theatre text (Še me dej by Simona Semenič) and the concept of the open work as inaugurated by Umberto Eco and paricularly as developed by Bojana Cvejić and Ana Vujanović in the issue of Maska dedicated to this topic. This enables a conceptualisation of the opening of the text to the eventfullness of the performance, to the active reception of the audience, and the opening of the protocols of production and reception of the theatre dispositif. It also facilitates a shift in the theoretical focus from semiotics (the representation of meaning) to pragmatics (the production of effects).
Secondary keywords:	open work;eventfullness;pragmatics;politics of aesthetics;hyperproduction;non-dramatic theatre text;
Type (COBISS):	Article
Pages:	Str. 61-68
ID:	19574794