Nove tekstne prakse v slovenskem gledališču in strategije uprizarjanja

Abstract

Prispevek se ukvarja s poskusom opredelitve novih tekstnih praks, ki se v slovenskem gledališču pojavljajo v zadnjih letih in jih uvrščamo v metodološko polje postdramskega, kakor ga je v delu Postdramsko gledališče opredelil nemški teoretik Hans-Thies Lehmann. Bolj kot prilagajanje postdramskih praks Lehmannovi teoriji pa ga zanimajo njihovi novi oz. prevrednoteni formalni postopki ter posebno razmerje do scenskega uprizarjanja. V ta namen natančneje analizira dramo Simone Semenič gostija ali zgodba o nekem slastnem truplu ali kako so se roman abramovič, lik janša, štiriindvajsetletna julia kristeva, simona semenič in inicialki z. i. znašli v oblačku tobačnega dima.

Keywords

slovenska književnost;slovenska dramatika;slovensko gledališče;postdramsko;uprizarjanje;pripovedovalec;didaskalije;relativizacija;Semenič;Simona;1975-;

Data

Language:	Slovenian
Year of publishing:	2012
Typology:	1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:	UL AGRFT - Academy of Theatre, Radio, Film and Television
UDC:	821.163.6-2.09"20":792.02(497.4)
COBISS:	3397211
Views:	8
Downloads:	0
Average score:	0 (0 votes)
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Other data

Secondary language:	English
Secondary abstract:	The article attempts to characterize the new textual practices that have emerged in the Slovene theatre over the past few years, and belong to the methodological field of the post-dramatic as defined by the German theorist Hans-Thies Lehmann in his work Post-dramatic Theatre. Rather than exploring how these practices adapt to Lehmann's theory the article focuses on their new formal processes and their specific relation to stage performance. To that end, it gives a detailed analysis of Simona Semeničʼs drama the feast or the story of a savoury corpse or how roman abramovič, the personage janša, julia kristeva, age 24, simona semenič and the initials z. i. found themselves in a puff of tobacco smoke.
Secondary keywords:	Slovene literature;Slovene drama;Slovene theatre;post-dramatic;performance;narrator;didascalia;relativism;
Type (COBISS):	Article
Pages:	Str. 167-173
ID:	19574807