Tomaž Toporišič (Author)

Abstract

Slovenska sodobna drama in gledališče sta bila v dvajsetem stoletju priči številnih premen in nevarnih medsebojnih razmerij kot tudi še nevarnejših razmerij do politike. Prispevek raziskuje te dinamične procese skozi zaris dekonstrukcije t. i. literarnega oziroma dramskega gledališča ter uveljavitve performativnega obrata. Prikazati hoče, kako so prav ta nevarna razmerja pripeljala do nekaterih najbolj zanimivih fenomenov v slovenski dramski in gledališki umetnosti ter kulturi po drugi svetovni vojni.

Keywords

gledališče;dramatika;postdramsko;performativna kultura;mediatizirana kultura;

Data

Language: Slovenian
Year of publishing:
Typology: 1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization: UL AGRFT - Academy of Theatre, Radio, Film and Television
UDC: 821.163.6-2.09:792:316.75(497.1)"1945/1990"
COBISS: 3398235 Link will open in a new window
Views: 4
Downloads: 0
Average score: 0 (0 votes)
Metadata: JSON JSON-RDF JSON-LD TURTLE N-TRIPLES XML RDFA MICRODATA DC-XML DC-RDF RDF

Other data

Secondary language: English
Secondary abstract: In the twentieth century the relations between contemporary Slovene drama and theatre was marked by many changes and dangerous liaisons. This holds true also for relations between the two artistic fields and the domain of politics.The paper explores these dynamic processes, focusing on the postdramatic and performative turn. Its aim is to show how these lively and dangerous relations led to some of the most interesting phenomena in Slovene drama, theatre and culture after World War II.
Secondary keywords: theatre;drama;postdramatic;performativa culture;mediatized culture;
Type (COBISS): Article
Pages: Str. 337-343
ID: 19574827
Recommended works:
, no subtitle data available
, morilec brez razloga
, diplomsko delo
, o zvočni kulisi sodobnega teatra
, (kontekstualizacija pripovedi, prostora-časa in telesa: McIntosh-Živadinov-Stelarc)