Abstract

Od prve uprizoritve (1919) do danes so bili Hlapci Ivana Cankarja uprizorjeni na zelo različne načine. Na začetku so uprizoritve strogo sledile dramski predlogi, kasneje se je uprizoritvena umetnost vse bolj osamosvajala in si dovolila več umetniške svobode. Prispevek na podlagi analize kritik razvršča uprizoritve v slovenskih profesionalnih gledališčih v pet skupin in razlaga značilnosti vsake od njih.

Keywords

slovenska književnost;slovenska dramatika;dramatika;uprizoritev;gledališka kritika;Iva Cankar: Hlapci;Cankar;Ivan;1876-1918;Hlapci;

Data

Language: Slovenian
Year of publishing:
Typology: 1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization: UL AGRFT - Academy of Theatre, Radio, Film and Television
UDC: 821.163.6-2Cankar I.:792.02"1919/2012"
COBISS: 3398491 Link will open in a new window
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Other data

Secondary language: English
Secondary abstract: Since its first staging in 1919 the play Hlapci (Servants) by Ivan Cankar has been staged in many different ways. In the early days stagings strictly followed the dramatic text, but later the performing arts became more independent and allowed for more artistic freedom. Reviews of stagings in Slovene professional theatres form the basis for the analysis in this article.The stagings are divided into five categories and the features of eachare explained.
Secondary keywords: Slovene literature;Slovene drama;drama;staging;theatre review;Servants;
Type (COBISS): Article
Pages: Str. 373-380
ID: 19574832
Recommended works:
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, gledališka in jezikovna analiza uprizoritev
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