Nebo v slikarstvu

diplomsko delo

Aleksander Gregorič (Author), Anka Krašna (Mentor)

Abstract

Na začetku diplomskega dela z naslovom "Nebo v slikarstvu" izvemo nekaj stvari o fizikalnih lastnostih neba in nastajanju oblakov po klasifikaciji. Kasneje prehaja tema snovi na likovni izraz, v katerem razlaga, na kakšen način so si umetniki predstavljali nebo, ga vključevali kot osnovo nosilca sporočila, ki se izrazi v kompoziciji slike. S kratkim zgodovinskim opisom in primeri sledimo razvoju in vključevanju neba na različne načine pogleda umetnikov, glede na posamezna obdobja. V nadaljevanju snovi se diplomsko delo dotakne perspektive. Nasploh je poudarek na atmosferski ali zračni perspektivi, na katero se pogosto naslanjajo umetniki v svojih likovnih delih. Osrednji del diplomskega dela zapolnjujeta slikarja Ivan Konstantinovich Aivazovskiy in Joseph Mallord William Turner, ki sta najpogosteje vključevala nebo v svoja dela ali ga postavljala kot glavno osnovo za prikaz prostora, zračnosti in globine v sliki. Od slovenskih predstavnikov je vključen Štefan Planinc, ki ima nebo po večini za osnovo svojega lastnega fantazijskega sveta in ga pogosto odpira v velik neskončen prostor. Praktični del diplomskega dela vsebuje moja lastna dela in njihovo analizo.

Keywords

likovna umetnost;slikarstvo;nebo;oblaki;likovna teorija;diplomska dela;

Data

Language:	Slovenian
Year of publishing:	2012
Source:	Maribor
Typology:	2.11 - Undergraduate Thesis
Organization:	UM PEF - Faculty of Education
Publisher:	[A. Gregorič]
UDC:	73/76(043.2)
COBISS:	18970376
Views:	3183
Downloads:	176
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	THE SKY IN PAINTING
Secondary abstract:	The beginning of the final thesis titled "The sky in painting" reveals some data regarding to the physical characteristics of the sky and formation of clouds after the classification. The following data represent artistic expression and explain the way how artists imagined the sky, included it as a base of message holder, which is expressed in the paintings' composition. Development and inclusion of the sky various ways of artits' viewpoints, regarding to different period, are represented by brief historical description and examples. Furthermore the thesis touches on perspective. In general it puts emphasis on atmospheric or aerial perspective to which reference is made by artists in their artistic works. The main part of thesis is focused on two painters Ivan Konstantinovich Aivazovskiy and Joseph Mallord William Turner, who most often included the sky in their paintings as base for presentation of space, aeration and deepnes in painting. Štefan Planinc, as Slovene representative, is also presented. He mainly uses the sky a base of its own fantasy wold and opens it into infinite space. My own works and their analises are included as practical part of the final thesis.
Secondary keywords:	fine art;colour;colour contrast;thermal;perspective;atmospheric or aerial perspective;composition;
URN:	URN:SI:UM:
Type (COBISS):	Undergraduate thesis
Thesis comment:	Univ. v Mariboru, Pedagoška fak., Oddelek za likovno umetnost
Pages:	66 f.
Keywords (UDC):	the arts;recreation;entertainment;sport;umetnost;razvedrilo;zabava;šport;plastic arts;likovna umetnost (kiparstvo in umetna obrt);
ID:	19803