Grafični pristop k figurativnemu slikarstvu

diplomsko delo

Niko Bergles (Avtor), Ludvik Pandur (Mentor)

Povzetek

V diplomskem delu z naslovom Grafični pristop k figurativnemu slikarstvu sem se posvetil tistim področjem likovne teorije in zgodovine, na podlagi katerih sem sam ustvarjal. Nalogo sem razdelil na tri dele - prvi del govori bolj na splošno o likovni teoriji (predvsem o barvi in kompoziciji) in zgodovini (umetniških gibanjih), s katero najbolj povezujem svoje ustvarjanje. V drugem delu se posvetim slikarjem, ki so v teh obdobjih ustvarjali, in tistim, ki so najbližje mojemu ustvarjanju. Tukaj se začnejo stvari še bolj vidno povezovati med seboj (sicer je že v prvem delu opazno, kako so določena umetniška gibanja vplivala na razvoj drugih). Tukaj predstavim zelo pomemben del svojega diplomskega dela - osebni intervju z ameriškim stripovskim umetnikom Andyjem Braseom, ki sem ga intervjuval po internetu. To je bila zame posebna poslastica, saj je bil Andy Brase že od nekdaj moj najljubši stripovski umetnik, čeprav on nase gleda bolj kot na ilustratorja ali fantazijskega umetnika. V tretjem delu predstavim praktični del diplomskega dela - postopek svojega dela. Bolj podrobno prikažem in razložim najpomembnejše slike, ki jih podprem s primerjavami prej omenjenih umetniških gibanj. Na podoben način, kot sem teoretični del okronal z intervjujem Andyja Brasea, sem praktični del okronal s svojo prvo samostojno razstavo, ki je potekala na gradu Rače. Na tem mestu povem nekaj o svojih izkušnjah in se lotim končnega sklepa, v katerem povežem vse pridobljeno znanje in ugotovitve. Diplomsko delo se dotakne številnih, za moje delovanje pomembnih, področji: od teorije barve in kompozicije preidem na staro japonsko umetnost in nadaljujem s simbolizmom, secesijo, nakar vključim pojem fatalne ženske (femme fatale). Od tod nas diplomsko delo vodi k nadrealizmu, pop artu in ameriški stripovski umetnosti. Na tej točki se lotim izbranih umetnikov: Aubreya Beardsleya, Alfonsa Muche, Roya Lichtensteina, Henrija de Toulousea-Lautreca in zaključim na bolj oseben način, z intervjujem Andyja Brasea. Teoretičnemu delu sledi seveda praktičen, v prilogah je moč najti slike, ki jih nisem uporabil v praktičnem odseku, izvirni intervju z Andyjem Braseom in potrdilo o opravljeni razstavi na gradu Rače.

Ključne besede

likovna umetnost;grafika;pristop;figurativno slikarstvo;japonska umetnost;diplomska dela;

Podatki

Jezik:	Slovenski jezik
Leto izida:	2010
Izvor:	Maribor
Tipologija:	2.11 - Diplomsko delo
Organizacija:	UM PEF - Pedagoška fakulteta
Založnik:	[N. Bergles]
UDK:	73/76(043.2)
COBISS:	17637384
Št. ogledov:	1926
Št. prenosov:	204
Ocena:	0 (0 glasov)
Metapodatki:

Ostali podatki

Sekundarni jezik:	Angleški jezik
Sekundarni naslov:	A GRAPHICAL APPROACH TO FIGURAL PAINTING
Sekundarni povzetek:	In my diploma entitled A Graphical Approach to the Figural Painting I've concentrated on those fields of the theory and the history of art that were the ground stones for my artistic creativity. I've distributed the whole project in three parts; the first part is dedicated to the theory of art (mostly to the color and the composition) and the history of art (the artistic movements) that were closely linked with my work. The second part is devoted to all the painters who were active in these periods and those that are close to my own artistic creating. In this section all different aspects begin to link up together more visibly (even in the first part of the diploma you can also notice how the different artistic movements influenced each other). Here I present a very important part of my diploma - my personal interview with the American comic book artist Andy Brase, who I interviewed via the internet. This was a special treat for me, because he has been my favorite comic book artist for a long time, thou he rather calls himself an illustrator or a fantasy artist. In the third part I present the practical section of my diploma - the procedure of my work. I also show and discus my most important paintings in detail and back everything up with the previously mentioned artistic movements. In a similar way as I crowned the theoretical part with the interview with Andy Brase I've crowned the practical section with my first independent exhibition, which took place in the castle Rače. In this part I also share some of my gained experiences and come to the final conclusion in which all acquired knowledge and findings link up together. The diploma touches numerous, for my work important, fields: from the theory of colors and composition I pass over to the old Japanese art and continue with the symbolism and the secession, at which point I also include the concept of femme fatale. From there I continue with the surrealism, the Pop Art and the American comic book art. Here I switch to the selected artists: Aubrey Beardsley, Alfons Mucha, Roy Lichtenstein, Henri de Toulouse-Lautrec and finish with a more personal note - with the Andy Brase interview. At the end of the theoretical part I continue with the practical section, which is followed by the enclosure where all my before unused paintings, the original interview with Andy Brase and the certificate for the performed exhibition in castle Rače can be found.
Sekundarne ključne besede:	Japanese art;figural painting;painting;graphics.;
URN:	URN:SI:UM:
Vrsta dela (COBISS):	Diplomsko delo
Komentar na gradivo:	Univ. v Mariboru, Pedagoška fak., Oddelek za likovno umetnost
Strani:	81 f.
Ključne besede (UDK):	the arts;recreation;entertainment;sport;umetnost;razvedrilo;zabava;šport;plastic arts;likovna umetnost (kiparstvo in umetna obrt);
ID:	18512