Literatura Cirila Kosmača v filmskih adaptacijah Franceta Štiglica

magistrsko delo

Nejc Furlan (Author), Tone Smolej (Mentor)

Abstract

Očka Orel, Balada o trobenti in oblaku ter Tistega lepega dne so tri povsem različna literarna dela avtorja Cirila Kosmača in tri povsem različne filmske adaptacije režiserja Franceta Štiglica s skoraj enakimi naslovi. Kakšen vpliv je imela literatura Cirila Kosmača na režiserja prvega slovenskega »umetniškega zvočnega filma«, ki ni pripadal nobeni šoli ali smeri? Analiza omejenih del pokaže, da gre za veliko odstopanj, a hkrati enak tematski naboj – upor slovenskega prebivalstva proti okupatorju.

Keywords

literatura in film;slovenska književnost;filmske priredbe;Kosmač;Ciril;1910-1980;Štiglic;France;1919-1993;

Data

Language:	Slovenian
Year of publishing:	2024
Typology:	2.09 - Master's Thesis
Organization:	UL FF - Faculty of Arts
Publisher:	[N. Furlan]
UDC:	821.163.6.09Kosmač C.:791(497.4)
COBISS:	208087299
Views:	41
Downloads:	6
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Literature of Ciril Kosmač in film adaptations by France Štiglic
Secondary abstract:	Očka Orel, Balada o trobenti in oblaku, and Tistega lepega dne are three completely different literary works by author Ciril Kosmač and three equally distinct film adaptations by director France Štiglic with nearly identical titles. What influence did Ciril Kosmač's literature have on the director of the first Slovenian "artistic sound film", which did not adhere to any particular school or movement? Despite numerous deviations, the thematic core remains consistent – the resistance of the Slovenian population against the occupier.
Secondary keywords:	literature and film;Slovenian literature;film adaptations;
Type (COBISS):	Master's thesis/paper
Study programme:	0
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univ. v Ljubljani, Filozofska fak., Oddelek za primerjalno književnost in literarno teorijo
Pages:	77 f.
ID:	25050637