Prevajanje besednih iger v humoristični seriji Brooklyn 9-9

magistrsko delo

Tea Ramšak (Author), Natalia Kaloh Vid (Mentor)

Abstract

Podnaslavljanje je dejansko precej težavno, ker podlega določenim tehničnim zakonitostim, ki se jih je treba držati. Kakovostno prevajanje podnaslovov zahteva suvereno obvladovanje izvirnega jezika in materinščine, saj moramo kdaj domiselno rešiti nekatere jezikovne zagate, kot so besedne igre. Namen besednih iger je, da ustvarijo humoristični učinek pri gledalcih, zato jih mora prevajalec tako podomačiti, da jih približa ciljnemu občinstvu in s tem ustvari enak učinek kot pri izvirnem občinstvu. V magistrski nalogi smo se ukvarjali z analizo angleških podnapisov v humoristični seriji Brooklyn 9-9 in njihovim prenosom v slovenščino, predvsem smo se osredotočili na prevedene prvine, kot so besedne igre. V teoretičnem delu naloge smo najprej opisali avdiovizualno prevajanje, izpostavili pa smo podnaslavljanje ter njegove prednosti in slabosti. Osredotočili smo se na besedne igre. Opisali smo, katere vrste besednih iger poznamo, in predstavili metode prevajanja le-teh. Na kratko smo predstavili tudi serijo Brooklyn 9-9. V empiričnem delu smo analizirali 71 besednih iger iz prve in druge sezone serije Brooklyn 9-9. Besedne igre smo klasificirali po metodah prevajanja po Dirku Delabastiti. Namen analize je bil ugotoviti, če so prvine ustrezno prevedene ali so izpuščene, katere prevajalske metode so uporabljene, in če je v ciljnem jeziku ohranjen humoristični učinek.

Keywords

magistrska dela;besedne igre;humor;prevajalske metode;podnaslavljanje;humoristična serija;

Data

Language:	Slovenian
Year of publishing:	2024
Typology:	2.09 - Master's Thesis
Organization:	UM FF - Faculty of Arts
Publisher:	[T. Ramšak]
UDC:	81'25(043.2)
COBISS:	228274435
Views:	0
Downloads:	1
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Translation wordplays in the comedy series Brooklyn nine-nine
Secondary abstract:	Subtitling is very challenging since certain technical regulations must be followed. Proficiency in both the source language and target language is necessary for producing high-quality subtitle translations, as we occasionally need to find inventive solutions to linguistic puzzles like wordplays. The purpose of wordplays is to create a humorous effect on the target audience, thus the translator needs to domesticate them so that they are more relatable to the target audience and have the same effect as the source audience. In the master's thesis, we analyzed English subtitles in the comedy series Brooklyn nine-nine and their transfer to Slovene, focusing primarily on translated elements such as wordplays. In the theoretical part, we initially described audiovisual translation, but we emphasized subtitling and its advantages and disadvantages. We focused on elements such as wordplays. We described what types of wordplays we know and presented the methods of translating them. We also gave a quick overview of the Brooklyn nine-nine series. In the empirical part, we analyzed 71 wordplays from the first and second seasons of the series. We classified wordplays according to the translation methods proposed by Dirk Delabastita. The purpose of the analysis was to determine if elements are properly translated or omitted, which translation methods are used, and if the humorous effect is preserved in the target language.
Secondary keywords:	master theses;wordplay;humour;translation strategies;subtitling;comedy series;Prevajanje in tolmačenje;Domislice in besedne igre;Televizijske komedije;Univerzitetna in visokošolska dela;
Type (COBISS):	Master's thesis/paper
Thesis comment:	Univ. v Mariboru, Filozofska fak., Oddelek za prevodoslovje
Pages:	1 spletni vir (1 datoteka PDF (VII, 116 str.))
ID:	25439825