Svetloba barvne krajine

diplomsko delo

Nina Rehar (Author), Zdenko Huzjan (Mentor)

Abstract

V diplomskem delu so obravnavani pomen, odnosi ter vplivi svetlobe in barv na motiv slikarske krajine. Čeprav sta fenomena svetlobe in barv neločljivo povezana, sta z vidika znanstvenih dognanj najprej obravnavana ločeno po področjih znanosti (fizika, fiziologija, psihologija in likovna teorija). Posvetila sem se tistim dejstvom, ki so pomembna za nastanek in razlago mojih del. Čeprav so moje slike domišljijske in abstrahirane, skušam osnovni princip za njihov nastanek razložiti na primeru realne pokrajine. V navezavi svetlobe in barve s krajino je osnovna teza ta, da ima vsaka pokrajina (potencialna slikarska krajina) svojo specifično svetlobo. Ta je najprej odvisna od kvalitete vpadne atmosferske svetlobe, ki se nato od elementov pokrajine odbija v oko opazovalca. Tako se sončna svetloba, ki doseže zemljo, v tem pogledu dvakrat “spremeni“. Prvič pri prehodu skozi atmosfero, drugič, ko se odbija od pokrajine. Rezultat obeh procesov skupaj je specifična svetloba, ki je lastna vsaki pokrajini v določenem trenutku na določenem mestu, saj ustvarja nek tipičen vtis o tej pokrajini, kar vpliva na naše počutje in dojemanje.

Keywords

svetloba;pokrajina;slikarska krajina;motiv krajine;

Data

Language:	Slovenian
Year of publishing:	2016
Typology:	2.11 - Undergraduate Thesis
Organization:	UL PEF - Faculty of Education
Publisher:	[N. Rehar]
UDC:	75(043.2)
COBISS:	11362633
Views:	754
Downloads:	131
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Colorism and landscape
Secondary abstract:	In the graduation thesis, the importance, relations, and influences of light and colours on theme of painting landscape are presented. Although the phenomena of light and colours are inseparably related, from the perspective of scientific knowledge they are primarily discussed separately by science fields (physics, physiology, psychology, and art theory). I dedicated to those facts, which are important for formation and explanation of my works. Although my paintings are imaginary and abstract, I try to explain the basic principle for their formation in the case of real landscape. In connection of light and colour with landscape, the basic thesis is that each landscape (potential painting landscape) has its specific light. Light firstly depends on the quality of illumination angle of atmospheric light, which then reflects from elements of landscape to the eye of the observer. Therefore, in this perspective, the end light that reaches Earth, is “changed” twice. Firstly, in passing through atmosphere, and secondly when it is reflected from the landscape. A result of both processes combined, is a specific light, which is unique in every landscape in a certain moment and in a certain place, since it creates some typical impression about that landscape, which influences our well-being and perception.
Secondary keywords:	painting;colour;slikarstvo;barva;
File type:	application/pdf
Type (COBISS):	Undergraduate thesis
Thesis comment:	Univ. v Ljubljani, Pedagoška fak., Likovna pedagogika
Pages:	62 f.
ID:	9233261