Svetloba barvne krajine

diplomsko delo

Nina Rehar (Avtor), Zdenko Huzjan (Mentor)

Povzetek

V diplomskem delu so obravnavani pomen, odnosi ter vplivi svetlobe in barv na motiv slikarske krajine. Čeprav sta fenomena svetlobe in barv neločljivo povezana, sta z vidika znanstvenih dognanj najprej obravnavana ločeno po področjih znanosti (fizika, fiziologija, psihologija in likovna teorija). Posvetila sem se tistim dejstvom, ki so pomembna za nastanek in razlago mojih del. Čeprav so moje slike domišljijske in abstrahirane, skušam osnovni princip za njihov nastanek razložiti na primeru realne pokrajine. V navezavi svetlobe in barve s krajino je osnovna teza ta, da ima vsaka pokrajina (potencialna slikarska krajina) svojo specifično svetlobo. Ta je najprej odvisna od kvalitete vpadne atmosferske svetlobe, ki se nato od elementov pokrajine odbija v oko opazovalca. Tako se sončna svetloba, ki doseže zemljo, v tem pogledu dvakrat “spremeni“. Prvič pri prehodu skozi atmosfero, drugič, ko se odbija od pokrajine. Rezultat obeh procesov skupaj je specifična svetloba, ki je lastna vsaki pokrajini v določenem trenutku na določenem mestu, saj ustvarja nek tipičen vtis o tej pokrajini, kar vpliva na naše počutje in dojemanje.

Ključne besede

svetloba;pokrajina;slikarska krajina;motiv krajine;

Podatki

Jezik:	Slovenski jezik
Leto izida:	2016
Tipologija:	2.11 - Diplomsko delo
Organizacija:	UL PEF - Pedagoška fakulteta
Založnik:	[N. Rehar]
UDK:	75(043.2)
COBISS:	11362633
Št. ogledov:	754
Št. prenosov:	131
Ocena:	0 (0 glasov)
Metapodatki:

Ostali podatki

Sekundarni jezik:	Angleški jezik
Sekundarni naslov:	Colorism and landscape
Sekundarni povzetek:	In the graduation thesis, the importance, relations, and influences of light and colours on theme of painting landscape are presented. Although the phenomena of light and colours are inseparably related, from the perspective of scientific knowledge they are primarily discussed separately by science fields (physics, physiology, psychology, and art theory). I dedicated to those facts, which are important for formation and explanation of my works. Although my paintings are imaginary and abstract, I try to explain the basic principle for their formation in the case of real landscape. In connection of light and colour with landscape, the basic thesis is that each landscape (potential painting landscape) has its specific light. Light firstly depends on the quality of illumination angle of atmospheric light, which then reflects from elements of landscape to the eye of the observer. Therefore, in this perspective, the end light that reaches Earth, is “changed” twice. Firstly, in passing through atmosphere, and secondly when it is reflected from the landscape. A result of both processes combined, is a specific light, which is unique in every landscape in a certain moment and in a certain place, since it creates some typical impression about that landscape, which influences our well-being and perception.
Sekundarne ključne besede:	painting;colour;slikarstvo;barva;
Vrsta datoteke:	application/pdf
Vrsta dela (COBISS):	Diplomsko delo
Komentar na gradivo:	Univ. v Ljubljani, Pedagoška fak., Likovna pedagogika
Strani:	62 f.
ID:	9233261