ǂthe ǂcase of Charles Dickens' later novels
Aleš Vaupotič (Avtor)

Povzetek

The paper proposes to approach the issue of literary realism through the prism of archive art, i.e. the artworks that are archives of objects, documents, statements, even other artworks by other artists etc. The preservation of the otherness of an entity, which is subsequently taken up and kept in an archive, is one of the key challenges involved in such projects. The second task of an archival artwork is to construct—in fact add—an encompassing totality that correlates with the authorship and gives significance to the archive-artwork as a whole. The paper scrutinizes possible links between the archival approaches to art production in the 20th and 21st centuries and the practices of realist writing beginning in the 19th century.

Ključne besede

archives;realism;archive art;avant-garde;Dickens;Charles;1812-1870;

Podatki

Jezik: Angleški jezik
Leto izida:
Tipologija: 1.01 - Izvirni znanstveni članek
Organizacija: UNG - Univerza v Novi Gorici
UDK: 82.0
COBISS: 4822779 Povezava se bo odprla v novem oknu
ISSN: 2039-6597
Št. ogledov: 3766
Št. prenosov: 213
Ocena: 0 (0 glasov)
Metapodatki: JSON JSON-RDF JSON-LD TURTLE N-TRIPLES XML RDFA MICRODATA DC-XML DC-RDF RDF

Ostali podatki

URN: URN:SI:UNG
Vrsta dela (COBISS): Delo ni kategorizirano
Strani: str. 1-20
Letnik: ǂVol. ǂ7
Zvezek: ǂno. ǂ13
Čas izdaje: 2017
DOI: 10.13125/2039-6597/2623
ID: 10844056
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