diplomsko delo
Petja Kolenko (Avtor), Zora Stančič (Mentor)

Povzetek

Diplomska naloga raziskuje analogije med glasbeno in likovno umetnostjo. Ker sta obe vrsti umetnosti pomembni za mene kot likovno ustvarjalko, sem raziskovala in opisala možna področja povezovanja dveh umetnostnih sfer. Diplomska naloga je razdeljena na dva dela. V prvem delu likovnoteoretičnega dela sem razložila praktične razlike med glasbeno in likovno umetnostjo. Glasba je nepredmetna in definirana v času, poslušamo jo, ker je ne vidimo. Likovna umetnost je vizualna in obstaja v prostoru, po navadi pa nam posreduje določeno sporočilo. Obe vrsti umetnosti je človek vedno prakticiral ločeno. Ker je glasba popolnoma abstraktna vrsta umetnosti, so glasbeniki pri svojem ustvarjanju vedno imeli popolnoma proste roke. Umetniške svobode so si želeli tudi likovni ustvarjalci, zato so kot model in navdih prevzemali glasbene značilnosti. Glasbeno in likovno prepletanje je postopoma privedlo do razvoja slikarstva abstrakcije. Čeprav sta si po definiciji in svojem pojavu obravnavani vrsti umetnosti zelo različni, brez dvoma obe dražita človeške čute in vplivata na naše počutje. Hkratno soobčutje in doživljanje različnih čutov imenujemo sinestezija. V drugem delu teoretičnega dela sem opisala posameznike, ki so se skozi zgodovino ukvarjali s pojavom prepletanja likovne in glasbene umetnosti. Izpostavila sem likovne umetnike, ki so se mi zdeli zanimivi in za vsebino diplomske naloge pomembni. Slikarstvo je najpogostejši medij izražanja likovno-glasbenih analogij. Umetniki so k delu pristopali na različne načine, posamezne principe pa sem na podlagi likovnih del podrobneje opisala. Zanimalo me je tudi njihovo medsebojno dopolnjevanje in vpliv. Uporabila sem delo slikarja Vasilija Kandinskega, da sem podrobneje predstavila teoretično plat teme. V likovnopraktičnem delu sem opisala pomen glasbe in vpliv le-tega na lastno likovno ustvarjanje. Na podlagi svojih likovnih del sem opisala različne glasbene vplive in razloge za njihov simbolni pomen. Svoja dela sem primerjala z deli umetnikov in z ugotovitvami, ki sem jih izpostavila v prvem delu diplomske naloge.

Ključne besede

glasbena umetnost;analogije;vizualna glasba;Vasilij Kandinski;

Podatki

Jezik: Slovenski jezik
Leto izida:
Tipologija: 2.11 - Diplomsko delo
Organizacija: UL PEF - Pedagoška fakulteta
Založnik: [P. Kolenko]
UDK: 7:78(043.2)
COBISS: 12026441 Povezava se bo odprla v novem oknu
Št. ogledov: 1061
Št. prenosov: 180
Ocena: 0 (0 glasov)
Metapodatki: JSON JSON-RDF JSON-LD TURTLE N-TRIPLES XML RDFA MICRODATA DC-XML DC-RDF RDF

Ostali podatki

Sekundarni jezik: Angleški jezik
Sekundarni naslov: How music impacts art
Sekundarni povzetek: This thesis explores the analogies between music and fine arts. Since both fields are very important to me as an artist, I researched and described all possible integrations of the two arts. This thesis is divided into two parts. In the first theoretical part, I explained the practical differences of musical and fine arts. Music is abstract and impalpable, it’s defined in its time and we cannot see it, we can just listen to it. Fine arts are visual, they exist in space, usually conveying a certain message. Both types of art have always been practiced separately. Since music is a completely abstract type of art, musicians always had absolute freedom when making music. Artistic freedom was also sought by artists, which is why they took on music as their model and inspiration. The musical and visual intertwining gradually led to the development of abstract painting. By definition, both these arts are completely different, but they both excite the human senses and affect our well-being. Simultaneous coexistence and experiencing different senses is called synaesthesia. In the second theoretical part of my thesis I have described individuals who have already dealt with this phenomenon of intertwining music and art. I pointed out the artists I find interesting and important for the content of my thesis. The most common way of expression of artistic analogies has been painting. The artists’ approach has been very different and I have decided to describe their different concepts in more detail on the basis of their artwork. I was interested in their interaction and complementarity. For a more theoretical and detailed presentation I used the works of painter Wassily Kandinsky. In the practical part of my thesis, I described the importance of music and its impact on my artistic creation. On the basis of my artwork, I have described various possibilities of musical reflection, reasoning and symbolic meaning. I compared my work with the work of other artists and highlighted the findings in the first part of the thesis.
Sekundarne ključne besede: music;fine arts;glasba;likovna umetnost;
Vrsta datoteke: application/pdf
Vrsta dela (COBISS): Diplomsko delo/naloga
Komentar na gradivo: Univ. v Ljubljani, Pedagoška fak., Likovna pedagogika
Strani: 66 str.
ID: 10944807
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