Petja Grafenauer (Avtor), Daša Tepina (Avtor)

Povzetek

The article examines how the policies of international cultural exchange of socialist Yugoslavia are reflected at the level of biennial crossroads, using the example of the Ljubljana International Biennial of Graphic Arts (IBGA). Our research is based on the analysis of archival materials, existing literature, and interviews with the participants of the Biennial in the studied period. The Cuban example is highlighted in this paper to examine the example of the renowned designer and graphic artist Félix Beltrán to show that there was no firm international cultural policy on the Yugoslavian institutional level. With the transition to market socialism and the liberalization with which Yugoslavia began to approach the Western capitalist economy, something similar happened at the level of international cultural policy. The West held the leading position in global cultural politics, which managed to preserve capitalism and make it part of the culture with its hegemonic cultural code. This also announced the beginning of the decline of international socialist history, which was very noticeable in the field of cultural crossings, such as biennials.

Ključne besede

grafika;Ljubljanski grafični bienale;Gibanje neuvrščenih;modernizem;graphic arts;Ljubljana Biennial of Graphic Arts;Non-Aligned Movement;modernism;Beltrán Concepción;Félix Alberto;1938-2022;

Podatki

Jezik: Angleški jezik
Leto izida:
Tipologija: 1.01 - Izvirni znanstveni članek
Organizacija: UL ALUO - Akademija za likovno umetnost in oblikovanje
UDK: 7.01:316.485.22
COBISS: 142830851 Povezava se bo odprla v novem oknu
ISSN: 1477-2833
Št. ogledov: 177
Št. prenosov: 42
Ocena: 0 (0 glasov)
Metapodatki: JSON JSON-RDF JSON-LD TURTLE N-TRIPLES XML RDFA MICRODATA DC-XML DC-RDF RDF

Ostali podatki

Sekundarni jezik: Slovenski jezik
Sekundarne ključne besede: grafika;ljubljanski grafični bienale;gibanje neuvrščenih;modernizem;
Vrsta dela (COBISS): Članek v reviji
Strani: Str. 207–219
Čas izdaje: 2023
DOI: 10.1080/10286632.2023.2177646
ID: 19845538
Priporočena dela:
, ǂa ǂcase study of art intersections in Ljubljana and Alexandria in the 1960s and 1970s
, ǂa ǂcase study of the International Biennial of Graphic Arts
, ǂthe ǂcase of Yugoslavia