diplomsko delo
Suzana Jus (Avtor), Tomaž Onič (Mentor), Simon Zupan (Komentor)

Povzetek

V zadnjih letih postajajo poleg fantazijske literature za otroke vse bolj priljubljeni tudi fantazijski romani za mladino in odrasle. Tako je lani na police knjigarn prišel slovenski prevod Rothfussovega romana Ime vetra. Ta specifični žanr je za prevajalca posebej trd oreh - zaradi dolžine literarnega dela potrebuje poleg izpiljenega znanja jezika, natančnosti in iznajdljivosti tudi dobršno mero potrpljenja, če želi, da je delo prevedeno dobro in dosledno. Pri tem je pomembno, da skuša poleg vsebine čim bolj ohraniti tudi slog literarnega besedila. V romanu Ime vetra najdemo vrsto slogovnih sredstev, zato me zanima, kako uspešno jih je prevajalec prenesel v slovenski jezik. Predstavila bom primere izbranih osebnih, zemljepisnih in stvarnih lastnih imen, časovno zaznamovanih izrazov ipd. ter preverila, ali se izhodiščno in ciljno besedilo ujemata. Primerjava bo pokazala, katere prevajalske postopke oz. strategije je prevajalec izbral pri prenosu iz enega jezika v drugega ter v kolikšni meri je posegel v izvirnik. Želim ugotoviti, ali so posamezni slogovni premiki vplivali tudi na končni slog prevoda in ali se slog prevoda zaradi tega razlikuje od sloga izvirnika.

Ključne besede

diplomska dela;fantazijski roman;Ime vetra;prevajanje;prevajalske metode;slog;slogovna sredstva;lastna imena;stilno zaznamovane besede;arhaizmi;okazionalizmi;

Podatki

Jezik: Slovenski jezik
Leto izida:
Tipologija: 2.11 - Diplomsko delo
Organizacija: UM FF - Filozofska fakulteta
Založnik: [S. Jus]
UDK: 821.111(73)-312.9'25=163.6
COBISS: 22710024 Povezava se bo odprla v novem oknu
Št. ogledov: 1815
Št. prenosov: 140
Ocena: 0 (0 glasov)
Metapodatki: JSON JSON-RDF JSON-LD TURTLE N-TRIPLES XML RDFA MICRODATA DC-XML DC-RDF RDF

Ostali podatki

Sekundarni jezik: Angleški jezik
Sekundarni naslov: Fantasy novel The name of the wind in Slovene translation
Sekundarni povzetek: In addition to fantasy literature for children, youth and adult fantasy novels have become increasingly popular in the past years. Last year, the Slovenian translation of Rothfuss' novel The Name of the Wind reached the bookstore shelves. This specific genre is quite a tough nut to crack for a translator - due to the length of the literary work, apart from thorough knowledge of language, meticulousness and resourcefulness, one needs a great amount of patience if he or she wants the translation to be of good quality and consistency. In addition to staying faithful to the contents, it is important to try to maintain the style of the literary text to the highest level possible. In the novel The Name of the Wind, a number of stylistic devices can be found, therefore I wanted to find out how successfully the translator transferred them into Slovenian language. I will present examples of selected proper names, temporally marked words and suchlike, and check the correspondence of the original with the target text. The comparison will show which translation processes and strategies were chosen by the translator in the process of transferring from one language to the other and to what extent they interfered with the original. My aim is to establish whether any individual stylistic shifts influenced the final style of the translated text and whether the style of the translated text is different from the style of the original due to said shifts.
Sekundarne ključne besede: fantasy novel;The name of the wind;translation;translation methods;style;stylistic devices;proper names;stylistically marked words;archaisms;occasionalisms (nonce words);
URN: URN:SI:UM:
Vrsta dela (COBISS): Diplomsko delo
Komentar na gradivo: Univ. v Mariboru, Filozofska fak., Oddelek za prevodoslovje
Strani: 61 f.
ID: 9170274