Gledališki govor kot jezikovna iluzija

Abstract

Gledališki govor je umetnina, ki temelji na principih kompozicije: najbolj učinkovit in estetiziran je takrat, ko je vidno in implicitno najbolj odmaknjen od redundantnih struktur spontane komunikacijske vsakdanjosti. Če je gledališče umetniška zgostitev nefikcijske resničnosti, potem tudi odrski govor ne more biti zgolj posnemanje zunajgledališke jezikovne stvarnosti, temveč je njen destilat.

Keywords

gledališče;gledališki govor;jezikovna norma;jezikovna redundanca;gledališka iluzija;

Data

Language:	Slovenian
Year of publishing:	2012
Typology:	1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:	UL FF - Faculty of Arts
UDC:	808.55:792
COBISS:	50696802
Views:	4
Downloads:	0
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary abstract:	Theatrical speech is an artefact based on the principles of composition: it is most efficient and aestheticised when visually and implicitly the most distant from the redundant structures of spontaneous daily communication. If theatre is a condensation of non-fictional reality, then theatrical speech does not simply emerge as mimicking the extra-theatrical linguistic reality, but as distilling it.
Secondary keywords:	theatre;theatrical speech;linguistic norm;linguistic redundance;theatrical illusion;
Type (COBISS):	Article
Pages:	Str. 353-358
ID:	19574829