Abstract
Prispevek obravnava prakso prevajalcev, ali ohraniti zapis osebnih imen v prevodih, kakor se pojavljajo v izvirniku. Ime lahko skupaj z lastnostmi literarne osebe bralcu predstavlja osebo kot celoto, predvsem kadar je prisotno že v samem naslovu (Ana Karenina, Oliver Twist). V prispevku so s primeri ponazorjeni učinki prenosa izvirnih imen v prevod, vključujoč zvočno podobo, s poudarkom na prevodih iz slovenščine v angleščino. S časoma so prevajalci iz slovenščine v angleščino začeli ohranjati slovenske oblike lastnih imen.
Keywords
slovenska književnost;osebna imena;literarne osebe;zvočna podoba;prevajanje v angleščino;
Data
Language: |
Slovenian |
Year of publishing: |
2024 |
Typology: |
0 - Not set |
Organization: |
UL FF - Faculty of Arts |
UDC: |
821.163.6:81'34:81'25 |
COBISS: |
202795267
|
Views: |
13 |
Downloads: |
2 |
Average score: |
0 (0 votes) |
Metadata: |
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Other data
Secondary language: |
English |
Secondary abstract: |
The article considers translators’ practice of leaving personal names in translations as they appear in the original. A name is the primary characteristic of a literary character that the reader encounters, and a literary character often represents an entire work in the reader’s memory, frequently appearing in the title (e.g., Anna Karenina or Oliver Twist). The article weighs the effects of using original names in translations, including their phonetic impression, with a focus on translations from Slovenian, and it concludes that translators into English have gradually come to preserve Slovenian spellings. |
Secondary keywords: |
Slovene literature;personal names;literary characters;sound preferences;translations into English; |
Pages: |
Str. 180-186 |
DOI: |
10.4312/SSJLK.60.180-186 |
ID: |
25250336 |